Over seventy-five years since its first publication, Steinbeck’s tale of commitment, loneliness, hope, and loss remains one of America’s most widely read and taught novels. An unlikely pair, George and Lennie, two migrant workers in California during the Great Depression, grasp for their American Dream. They hustle work when they can, living a hand-to-mouth existence. For George and Lennie have a plan: to own an acre of land and a shack they can call their own. When they land jobs on a ranch in the Salinas Valley, the fulfillment of their dream seems to be within their grasp. But even George cannot guard Lennie from the provocations, nor predict the consequences of Lennie's unswerving obedience to the things George taught him.
Of Mice and Men represents an experiment in form, which Steinbeck described as “a kind of playable novel, written in a novel form but so scened and set that it can be played as it stands.” A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. This edition features an introduction by Susan Shillinglaw, one of today’s leading Steinbeck scholars.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
John Steinbeck, born in Salinas, California, in 1902, grew up in a fertile agricultural valley, about twenty-five miles from the Pacific Coast. Both the valley and the coast would serve as settings for some of his best fiction. In 1919 he went to Stanford University, where he intermittently enrolled in literature and writing courses until he left in 1925 without taking a degree. During the next five years he supported himself as a laborer and journalist in New York City, all the time working on his first novel, Cup of Gold (1929).
After marriage and a move to Pacific Grove, he published two California books, The Pastures of Heaven (1932) and To a God Unknown (1933), and worked on short stories later collected in The Long Valley (1938). Popular success and financial security came only with Tortilla Flat (1935), stories about Monterey’s paisanos. A ceaseless experimenter throughout his career, Steinbeck changed courses regularly. Three powerful novels of the late 1930s focused on the California laboring class: In Dubious Battle (1936), Of Mice and Men (1937), and the book considered by many his finest, The Grapes of Wrath (1939). The Grapes of Wrath won both the National Book Award and the Pulitzer Prize in 1939.
Early in the 1940s, Steinbeck became a filmmaker with The Forgotten Village (1941) and a serious student of marine biology with Sea of Cortez (1941). He devoted his services to the war, writing Bombs Away (1942) and the controversial play-novelette The Moon is Down (1942). Cannery Row (1945), The Wayward Bus (1948), another experimental drama, Burning Bright (1950), and The Log from the Sea of Cortez (1951) preceded publication of the monumental East of Eden (1952), an ambitious saga of the Salinas Valley and his own family’s history.
The last decades of his life were spent in New York City and Sag Harbor with his third wife, with whom he traveled widely. Later books include Sweet Thursday (1954), The Short Reign of Pippin IV: A Fabrication (1957), Once There Was a War (1958), The Winter of Our Discontent (1961), Travels with Charley in Search of America (1962), America and Americans (1966), and the posthumously published Journal of a Novel: The East of Eden Letters (1969), Viva Zapata! (1975), The Acts of King Arthur and His Noble Knights (1976), and Working Days: The Journals of The Grapes of Wrath (1989).
Steinbeck received the Nobel Prize in Literature in 1962, and, in 1964, he was presented with the United States Medal of Freedom by President Lyndon B. Johnson. Steinbeck died in New York in 1968. Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures.
斯坦贝克的《人鼠之间》,开头是一幅无差别的画面:自然风光辽远而静谧,“疲惫的流浪者在傍晚走下公路,走过小径到水边安营扎寨。一棵高大的悬铃木上长了条水平的矮枝,树枝表面早已被人坐得光滑无比,旁边有一摊经由无数篝火积累起来的灰烬堆。”其实在苍穹之下,这无尽又...
评分 评分——读约翰-斯坦贝克《人鼠之间》 鲁迅说:“人生最苦痛的是梦醒了无路可走。做梦的人是幸福的;倘没有看出可以走的路,最要紧的是不要去惊醒他。”虽说如此,但梦被惊醒,很多时候由不得做梦的人,因而痛苦就无法避免。诺贝尔文学奖获得者约翰-斯坦贝克在其传世之作《人鼠之...
读完后感觉胸口像是被一块沉甸甸的石头压着,久久无法释怀。这本书的叙事节奏掌控得极其精妙,它没有故作深沉,也没有用华丽的辞藻来堆砌情感,而是用最朴素、最接近口语化的语言,讲述了一个关于“失去”和“承诺”的永恒主题。它仿佛就是那段历史时期普通人生活的一个缩影,你看到的是他们为了生存而付出的代价,是那些被社会边缘化的小人物们,在残酷的现实面前如何努力维持住一丝尊严和彼此的信赖。特别值得称赞的是,作者对环境的渲染达到了出神入化的地步,那些看似随意的场景描写,实则处处暗藏着人物性格的注脚和未来悲剧的伏笔。每一次角色的对话都充满了张力,你总能从那些简短的交流中听出言外之意,感受到他们之间复杂而微妙的关系网。这无疑是一部极其深刻的作品,它不只是关于那个特定年代的故事,更是对人类普遍境遇——希望的萌芽与破灭——进行的一次沉痛而温柔的审视。
评分这本书的魅力在于它捕捉到了人与人之间最基本的需求——陪伴与理解,并将其置于一个极其严酷的社会背景下进行考验。我感觉作者是怀着极大的同情心去书写这些角色的,他没有将他们塑造成完美的英雄或彻底的恶棍,而是展现了他们作为“不完美”的人所做的“不完美”的选择。这种对复杂人性的忠实描摹,使得角色摆脱了脸谱化,变得鲜活而真实可触。我读到他们为了共同的理想而短暂地构建起一个微型的、理想化的社会结构时,那种温暖感是如此短暂,以至于当那层温情被撕开时,留下的痛感才更加剧烈。这本书对于“何为真正的家园”这一命题进行了极富感染力的探讨,它不是指一个物理空间,而是一种安全感和被接纳的状态。读完之后,你会意识到,很多时候,我们所能抓住的“美梦”,往往比我们想象的要脆弱得多,也更需要勇气去守护。
评分这部作品读起来有一种古老的神话色彩,尽管背景设定在现代,但其中蕴含的关于命运的探讨却像是永恒的寓言。作者的文字有一种独特的韵律感,简单却充满力量,像是一首写给底层劳动者的挽歌。它没有宏大的历史叙事,却成功地将读者的注意力聚焦在了两个个体最核心的愿望之上:拥有自己的那块土地,以及不被孤单吞噬的权利。这种聚焦使得故事的情感张力非常集中,每一次希望的闪现,都伴随着更大的阴影降临的预兆。我非常佩服作者在塑造“理想”与“现实”对立时的手法,那种既想逃离又不得不面对的矛盾,深刻地反映在角色的每一个行动选择中。这本书的结局处理得极其高明,它没有使用任何戏剧化的夸张手法,而是用一种近乎必然的、却又令人心碎的方式收场,让“遗憾”成为了阅读体验中占据主导地位的情绪,久久萦绕,引人深思。
评分这部作品的笔触细腻得令人心惊,它以一种近乎纪录片般的冷静,描绘了二十世纪大萧条时期美国加州牧场工人们的生存图景。我几乎能闻到空气中弥漫的尘土味和廉价烟草的气息,感受到那些粗粝的工装布料摩擦皮肤的触感。作者在刻画人物心理上展现了大师级的功力,每一个微小的眼神、每一次不经意的动作,都饱含着说不出口的重量。那些关于梦想与现实的冲突,不是宏大的哲学思辨,而是渗透在日常琐事中的点滴挣扎——一份微薄的薪水、一个温暖的角落、一个遥不可及的承诺。尤其令人动容的是,作品中对于友谊和孤独的探讨,那种建立在共同困境之上的互相依偎,既脆弱又坚韧,让人在为角色的命运唏嘘不已的同时,也开始反思自己生活中那些不被重视的情感联结。这不是那种读完后会让你立刻感到振奋或获得明确答案的书,它更像一面镜子,映照出人性深处对归属感最原始的渴求,以及宿命般的无力感,让我在合上书页后,依然久久地沉浸在那片黄色的、充满希望又绝望的土地上。
评分这部作品的强大之处在于其极强的画面感和极简的叙事结构。它仿佛是一部已经打磨成熟的舞台剧剧本,结构紧凑,没有一处多余的笔墨。每一个场景、每一次互动都精准地服务于核心冲突的推进,让人在阅读过程中几乎无法停下来。我尤其欣赏作者如何通过人物的行动而非冗长的内心独白来展示他们的性格缺陷与高贵品质。那些粗犷的外表下,隐藏着对美好生活的向往,对被接纳的渴望,这种强烈的反差构成了作品最动人的底色。它揭示了一个残酷的事实:在生存面前,最纯粹的人性光辉往往也最容易被碾碎。这种叙事上的克制,反而使得最终的情感冲击力达到了一个极点。它没有给出任何廉价的安慰,只是冷静地呈现了生活本来的面貌——有时美好得令人心醉,有时又残酷得令人发指。对于喜欢那种“少即是多”的文学表达手法的读者来说,这简直是一场阅读盛宴。
评分好惨啊...是一种介乎于王尔德和余华之间的悲痛,是既瘦削又丰腴的悲剧。注定毁灭之前的温情更让人留恋,Lennie缠着George一遍又一遍的讲兔子的事情,讲永远不可能拥有的小块土地,和用来喂兔子的苜蓿。
评分看名字我以为是个科幻故事,看完发现是讲述人性、友情、信任的。用词不难懂,但故事很深,最后一句Carlson对Curley喃喃的“Now what the hell ya suppose is eatin' them two guys?”其实也是对所有观者的问题
评分好惨啊...是一种介乎于王尔德和余华之间的悲痛,是既瘦削又丰腴的悲剧。注定毁灭之前的温情更让人留恋,Lennie缠着George一遍又一遍的讲兔子的事情,讲永远不可能拥有的小块土地,和用来喂兔子的苜蓿。
评分好惨啊...是一种介乎于王尔德和余华之间的悲痛,是既瘦削又丰腴的悲剧。注定毁灭之前的温情更让人留恋,Lennie缠着George一遍又一遍的讲兔子的事情,讲永远不可能拥有的小块土地,和用来喂兔子的苜蓿。
评分看名字我以为是个科幻故事,看完发现是讲述人性、友情、信任的。用词不难懂,但故事很深,最后一句Carlson对Curley喃喃的“Now what the hell ya suppose is eatin' them two guys?”其实也是对所有观者的问题
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有