With this book, Thomas Crow contributes a refreshing analysis of the present state of art history, the practice of interpreting art and making it "intelligible." He aims to relocate the discussion of theory and method in art history away from models borrowed from other disciplines by presenting what he considers three of the most successful and challenging works in the literature of art history: Meyer Schapiro on the Romanesque portal sculpture of the abbey church of Sainte Marie in the French town of Souillac, Claude Levi-Strauss on the Native American masks of the Northwest Coast, and Michael Baxandall on the limewood sculptors of Renaissance Germany.Sketching the history of trends in art history--from description and biography, to more recent social-historical methods, to the latest wave of postmodernist approaches--Crow sets out a course that affirms the rich and valuable tools of language and methodology developed by generations of art historians while recognizing the important contribution of recent theory in raising the interpretive stakes."The Intelligence of Art" offers nothing less than a concrete new way to grasp the infinitely complex operations of human intelligence in artistic form.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有