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Book Description
Smoky O'Donnel arrives in Atlanta in 1966 to work as a writer with Atlanta's Downtown magazine. From the remarkable men who change her life to the great social movements sweeping the nation, Smoky's world creates a powerful story of the end of innocence. From the bestselling author of Colony and Hill Towns.
From Publishers Weekly
Her latest novel exhibits Siddons's ( Hill Towns ) strengths and weaknesses in equal measure and may leave her fans underwhelmed, disappointed in her uninspired and often pretentious story line. The background, Atlanta in the heady '60s, is well done, but Siddons's penchant for excessive prose and hokey nostalgia often gets out of hand. Maureen "Stormy" O'Donnell is a naive young woman from a working-class Irish-Catholic family who moves to Atlanta in the mid-'60s to write for a local magazine. (Her ease in getting the job and her overjoyed welcome by her new colleagues is the stuff of fairy tales.) She's romanced by socially prominent, old-money swain Brad Hunt but has conflicting feelings about crusading photojournalist Luke Geary . During the course of the narrative, Stormy tackles Atlanta high society, triumphs over a bigoted lieutenant governor and becomes involved in the civil rights movement--and with one of its charismatic stars, John Howard. All this is rendered with a cloying, wide-eyed enthusiasm that hobbles Siddons's attempts to explore the South's prejudice and racism. Her language, which in past books has sometimes teetered toward the overblown, now positively gushes. Atlanta has "a sliver of Brigadoon through its heart," and Brad is so handsome Stormy "almost laughed aloud." Still, readers may welcome Siddons's attempt to grapple with moral and social issues. 300,000 first printing; $325,000 ad/promo; Literary Guild main selection; first serial to Cosmopolitan; audio rights to Harper Audio; author tour .
From Library Journal
Echoes of Pat Conroy and Tennessee Williams can be heard in half a dozen apocalyptic scenes, keeping us flipping through the last 200 pages of this hefty chronicle of Atlanta in the Sixties. The narrative is slow to warm up, as protagonist Maureen "Smoky" O'Donnell emerges from the Savannah docks to write for Atlanta's award-winning Downtown magazine. Mentored by the charismatic editor-in-chief, Smoky gets awards for covering the city's war on poverty. As the novel gains momentum, she dumps wealthy Brad to find adventure with Freedom Summer veteran Lucas-only to lose him to the war in Vietnam. Siddons (Hill Towns, HarperCollins, 1993, and other very popular novels), one of the first senior editors of Atlanta magazine, has drawn on memory to create a satisfying historical romance spiced with wry humor.
--Joyce Smothers, Monmouth Cty. Lib., Manalapan, N.J.
From Booklist
Siddons has had a solid winning streak with her seductive portrayals of plucky southern gals holding their own in alien territory, so she's stayed with a sure thing: Smoky O'Donnell is a pretty, curvaceous shanty Irishwoman straight from the docks of Savannah. Smoky is an anomaly in her small, angry world: a young woman with ambition, talent, and a wide-open mind. It's 1966, and change is in the air, especially in the newly glamorous mecca of Atlanta. Smoky is lucky; she's been invited to join the chummy staff of a hip little city magazine. Blunt, determined, and passionate, she soon finds herself caught between two extremes: the wealthy, Waspish power elite and the volatile civil-rights movement. Siddons devotes a lot of ink to describing the conflicting dynamics of this time and place and often seems overwhelmed by material we sense is close to her heart. In fact, for the first 100 pages or so, she seems to be driving with the brakes on. When she does let loose, she treats us to some irresistible romance as well as an unusual, if cursory, dramatization of the struggle between the Black Panthers and followers of Martin Luther King, Jr. What's intriguing about Siddons is how much she transcends the usual parameters of fluff fiction, both in terms of literary finesse and penetrating intelligence. Although this isn't quite up to the caliber of her last book, Hill Towns , it's still a rewarding and bound-to-be-popular page-turner.
Donna Seaman
From Kirkus Reviews
Fresh from a fictional European jaunt in last year's Hill Towns, Siddons returns to the American South to depict a sheltered young woman's first taste of independence in the late 1960s. Raised to be a ``decent Catholic girl,'' 26-year-old Smoky O'Donnell leaves her working-class Savannah home for the bright lights of Atlanta, lured by a job offer from Matt Comfort, the talented and high-spirited editor of Downtown magazine. The newest senior editor easily fits in with ``Comfort's People,'' the magazine's small in-house staff, and relishes the on-the-town group socializing that is part of the job, but she becomes frustrated by Matt's (sexist) insistence on occupying her with mundane tasks. Smoky's break comes when she meets charming and wealthy Brad Hunt, who wants her to conduct his previously scheduled Downtown interview--as their first date. The civil rights movement exists only as background to the sheltered Smoky, and although Brad mentions the race ``problem,'' this thread is taken up by two people who become increasingly important to her: Lucas Geary, an accomplished photographer with an irritating habit of aiming his Leica up women's skirts, and his friend John Howard, who is one of Martin Luther King's ``closest lieutenants.'' Smoky's career progresses as satisfactorily as does her romance with Brad. Yet even before Lucas and art director Tom Gordon head out for a look at the ``youth culture'' across the American landscape, one senses that the heady '60s culture (and Downtown as microcosm) will be shown to contain self-indulgence and other seeds of its own decay. Siddons draws her ensemble cast with confidence and panache. But her treatment of serious subjects like race, abortion, and the sexual revolution is troubled by ambiguity, as if she were playing both sides of these volatile issues. (First serial to Cosmopolitan; Book-of-the-Month Club main selection; $325,000 ad/promo; author tour)
Book Dimension
length: (cm)17.1 width:(cm)10.6
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《Downtown》这本书,让我体验到了一种前所未有的沉浸感。它不是那种让你坐在书桌前,被动接受信息的读物,而是让你主动参与到作者所描绘的世界里。我感觉自己就像一个无形的观察者,穿梭在书中的每一个场景,感受着人物的情绪,体味着他们的生活。作者的叙事方式非常独特,他擅长运用大量的细节来构建画面,让读者仿佛身临其境。我能清晰地看到那些老旧的招牌,听到街头艺人悠扬的歌声,甚至能感受到空气中弥漫着的热气。更重要的是,这本书没有给我灌输任何明确的观点或结论,而是留给了我大量的思考空间。我可以通过作者的描述,去理解人物的动机,去感受城市的脉搏,去形成自己的看法。这种开放式的叙事,让我觉得这本书的内容非常丰富,每一次阅读都能有新的发现。它就像一个巨大的万花筒,每一次转动,都会呈现出不同的美丽图案。它让我明白,生活本身就是一部充满惊喜的剧本,而我们每个人,都是其中不可或缺的角色。
评分老实说,我一开始对《Downtown》的期待并没有那么高,我以为这只是一本普通的城市旅游指南,或是关于某个大都市的泛泛而谈。但当我翻开第一页,就被那种扑面而来的烟火气深深吸引了。作者的文字非常有力量,带着一种质朴的真诚,仿佛他就是我身边的朋友,带着我走遍他熟悉的街头巷尾,娓娓道来。他描述的那些场景,不仅仅是视觉上的呈现,更是触觉、听觉、嗅觉的全方位体验。我能想象出夏日午后,微风吹过梧桐树叶的沙沙声,也能闻到街边烧烤摊飘来的诱人香气。书中最让我印象深刻的是作者对于城市变迁的观察,那种淡淡的忧伤和对过往的怀念,却又带着对未来的希望。他并没有一味地赞美或批判,而是用一种平和的态度,记录下城市发展的轨迹,以及那些在这条轨迹上流淌的人文情感。读完这本书,我感觉自己好像真的在那座城市里生活了很久,对它的每一个细节都充满了感情。它不仅仅是一本书,更像是一个时代的缩影,一段关于城市与人的情感史诗。
评分《Downtown》这本书,给我带来了一种宁静而深远的触动。它不是那种能够让你在短时间内获得快感的读物,而是需要你静下心来,慢慢品味,才能感受到其中的韵味。作者的文字非常内敛,却又充满了力量,仿佛一股清泉,缓缓流淌进我的心田。他对于细节的捕捉,极其敏锐,能够从最微小的生活片段中,挖掘出深刻的哲理。我喜欢他描写那些看似平凡的日常场景,却总能在其中找到令人会心一笑的幽默,或是引人深思的哲理。这本书让我重新审视了“生活”的意义,不再仅仅是追求物质上的满足,而是更加关注内心的感受和精神上的富足。它让我明白,即使在喧嚣的都市中,我们依然可以找到属于自己的宁静角落,去感受生命的美好。它更像是一剂良药,能够抚慰我内心深处的浮躁和不安,让我重新找回内心的平静。这本书,是我在忙碌生活中,一次难得的心灵休憩。
评分《Downtown》这本书,让我着迷得有些忘乎所以。我一直是个对城市肌理和人文风情有着莫大好奇心的人,而这本书,就像一张泛黄的老地图,悄悄地揭示了许多我从未留意过的城市角落。它不是那种走马观花式的介绍,而是用一种极为细腻的笔触,描绘出每一个街角的生命力。我尤其喜欢作者对那些“不为人知”的地方的描写,那些可能被大多数人忽略的老旧建筑、隐藏在小巷深处的独立咖啡馆、或是那些默默经营着几十年的小店。作者仿佛是一位经验丰富的城市探险家,带着我穿梭于那些钢筋水泥的缝隙之中,感受着不同时代留下的印记。读的时候,我常常会不自觉地想象自己就站在那里,呼吸着这里的空气,听着这里的声音。书中的人物也是如此鲜活,他们不是脸谱化的符号,而是有血有肉,有着各自的故事和挣扎。我能感受到他们在这个城市里奋斗、迷茫、寻找出路时的那种真实情感。这本书更像是一场心灵的漫步,让我重新审视了“家”这个概念,以及我们与我们所处的环境之间那种微妙而深刻的联系。它让我意识到,即使是最普通的街道,也可能蕴藏着无数动人的故事,等待着我们去发掘。
评分我一直是个对城市抱有复杂情感的人,既爱它提供的便利和机会,又对其冰冷和疏离感到一丝不安。《Downtown》这本书,却让我从一个全新的角度重新认识了这座我熟悉却又陌生的城市。它没有刻意去描绘那些光鲜亮丽的摩天大楼,也没有着重渲染那些著名的旅游景点,而是将目光投向了那些被人们忽略的角落,那些隐藏在繁华背后的生活。作者用一种充满温度的笔触,刻画了那些在城市里努力生活的人们,他们的喜怒哀乐,他们的坚持与放弃,都深深地打动了我。我看到了在拥挤的地铁里默默前行的上班族,看到了在街边辛勤劳作的小商贩,也看到了在寂静的夜晚,独自面对生活的孤独灵魂。这本书让我意识到,城市的魅力,不仅仅在于它的建筑和经济发展,更在于生活在这片土地上的每一个普通人。他们的故事,构成了城市最真实、最动人的底色。读完这本书,我对这座城市的理解,也变得更加深刻和立体。
评分刚开始有点无聊,也有点难懂,毕竟涉及历史事件。不过女主人公的情路真是一波三折,到最后我才明白她的丈夫是谁,不过觉得和luke的感情很可惜。作者语言很动人呢,摘抄了许多优美表达,情节也很吸引人,但还是觉得女主过于圣母,也常常胡思乱想
评分刚开始有点无聊,也有点难懂,毕竟涉及历史事件。不过女主人公的情路真是一波三折,到最后我才明白她的丈夫是谁,不过觉得和luke的感情很可惜。作者语言很动人呢,摘抄了许多优美表达,情节也很吸引人,但还是觉得女主过于圣母,也常常胡思乱想
评分刚开始有点无聊,也有点难懂,毕竟涉及历史事件。不过女主人公的情路真是一波三折,到最后我才明白她的丈夫是谁,不过觉得和luke的感情很可惜。作者语言很动人呢,摘抄了许多优美表达,情节也很吸引人,但还是觉得女主过于圣母,也常常胡思乱想
评分刚开始有点无聊,也有点难懂,毕竟涉及历史事件。不过女主人公的情路真是一波三折,到最后我才明白她的丈夫是谁,不过觉得和luke的感情很可惜。作者语言很动人呢,摘抄了许多优美表达,情节也很吸引人,但还是觉得女主过于圣母,也常常胡思乱想
评分刚开始有点无聊,也有点难懂,毕竟涉及历史事件。不过女主人公的情路真是一波三折,到最后我才明白她的丈夫是谁,不过觉得和luke的感情很可惜。作者语言很动人呢,摘抄了许多优美表达,情节也很吸引人,但还是觉得女主过于圣母,也常常胡思乱想
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