Towards Universality 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Towards Universality

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Richard Padovan 作者
Routledge
译者
2002-03-22 出版日期
256 页数
USD 85.95 价格
Paperback
丛书系列
9780419240303 图书编码

Towards Universality 在线电子书 图书标签: 建筑  architecture+history  异文  建筑理论  建筑史  composición  Mies   


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发表于2024-11-05


Towards Universality 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Towards Universality 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Towards Universality 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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last year I was digging literatures on De Stijl, then, tumbled on this book;

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last year I was digging literatures on De Stijl, then, tumbled on this book;

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last year I was digging literatures on De Stijl, then, tumbled on this book;

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last year I was digging literatures on De Stijl, then, tumbled on this book;

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last year I was digging literatures on De Stijl, then, tumbled on this book;

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Towards Universality 在线电子书 图书描述

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways. First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city. The book's central theme is the striving for universality as opposed to the individual and the particular. The foundation manifesto of De Stijl begins: 'There exists an old and new consciousness of the age. The old is directed towards the individual. The new is directed towards the universal' (1918). This first opposition is intersected, however, by a second one: that between the open and the closed. The universality aimed at by De Stijl artists like Van Doesburg and Mondrian resembled that of the universe itself: it was boundless. Their paintings continued, in theory, beyond the limits of the canvas; their architecture sought to abolish the wall as the boundary between interior and exterior space. But each of Le Corbusier's buildings and paintings was itself a self-contained universe, held within a clear frame. Mies fluctuated between the two ideals; in the 1920s, in such designs as the brick country house and the Barcelona Pavilion, he outdid even the De Stijl architects in openness, but in his later work in America he reverted to the closed neo-classical box.

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