Cosmopolitan Cinema pdf epub mobi txt 电子书 下载 2025
2017 - Senior Lecturer in Screen Studies, Drama, School of Arts, Languages and Cultures, The University of Manchester
2013 - 2017 Lecturer in Screen Studies, Drama, School of Arts, Languages and Cultures, The University of Manchester
April – July 2013 Visiting Senior Research Fellow, Asia Research Institute, National University of Singapore
2008 - 2013 RCUK Fellow in Film, Media and Transnational Cultures, School of Arts, Languages, and Cultures, The University of Manchester
2005 - 2008 Research Associate (Comparative Film Studies), Centre for Media Research, School of Media, Film and Journalism, University of Ulster
- 电影节研究
- 电影
- 跨文化
- Film_Studies
Cinema is a fertile ground for the production of cosmopolitan ideals. Films are produced, reviewed and watched worldwide, often circulating between cultural contexts. The book explores cosmopolitanism and its debates through the lens of East Asian cinemas from Hong Kong, China, Malaysia and Singapore, throwing doubt on the validity of national cinemas or definitive cultural boundaries. Case studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar and the intimate connection between cinema and identity in Hirokazu Koreeda’s Afterlife (1998). Considering films, their audiences and tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display.
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突然抓起这本，意外发现还挺有趣！把cosmopolitanism和affect和film festival结合起来可以有效为电影节研究体系（尤其是东亚电影节）提供一个audience perspective的切入方式；东亚电影的multilingual和self-reflexive没那么新鲜但是归在cosmopolitanism里有了新的趣味；最后讲到的cosmopolitan body也很有意思，the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
评分突然抓起这本，意外发现还挺有趣！把cosmopolitanism和affect和film festival结合起来可以有效为电影节研究体系（尤其是东亚电影节）提供一个audience perspective的切入方式；东亚电影的multilingual和self-reflexive没那么新鲜但是归在cosmopolitanism里有了新的趣味；最后讲到的cosmopolitan body也很有意思，the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
评分突然抓起这本，意外发现还挺有趣！把cosmopolitanism和affect和film festival结合起来可以有效为电影节研究体系（尤其是东亚电影节）提供一个audience perspective的切入方式；东亚电影的multilingual和self-reflexive没那么新鲜但是归在cosmopolitanism里有了新的趣味；最后讲到的cosmopolitan body也很有意思，the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
评分突然抓起这本，意外发现还挺有趣！把cosmopolitanism和affect和film festival结合起来可以有效为电影节研究体系（尤其是东亚电影节）提供一个audience perspective的切入方式；东亚电影的multilingual和self-reflexive没那么新鲜但是归在cosmopolitanism里有了新的趣味；最后讲到的cosmopolitan body也很有意思，the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
评分突然抓起这本，意外发现还挺有趣！把cosmopolitanism和affect和film festival结合起来可以有效为电影节研究体系（尤其是东亚电影节）提供一个audience perspective的切入方式；东亚电影的multilingual和self-reflexive没那么新鲜但是归在cosmopolitanism里有了新的趣味；最后讲到的cosmopolitan body也很有意思，the most effective way to be cosmopolitan is to know yourself and the limits of translation. Very true.
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