Elizabeth Dorothea Cole Bowen (7 June 1899 – 22 February 1973) was an Anglo-Irish novelist and short story writer. Bowen was born in Dublin and later brought to Bowen’s Court in County Cork where she spent her summers. When her father became mentally ill in 1907, she and her mother moved to England, eventually settling in Hythe. After her mother died in 1912, Bowen was brought up by her aunts.

She was educated at Downe House. After some time at art school in London she decided that her talent lay in writing. She mixed with the Bloomsbury Group, becoming good friends with Rose Macaulay, who helped her find a publisher for her first book, Encounters (1923). In 1923 she married Alan Cameron, an educational administrator who subsequently worked for the BBC.

Bowen inherited Bowen's Court in 1930, but remained based in England, making frequent visits to Ireland. During World War II she worked for the British Ministry of Information, reporting on Irish opinion, particularly on the issue of Irish neutrality.

Her husband retired in 1952 and they settled in Bowen’s Court, where Alan Cameron died a few months later. For years Bowen struggled to keep the house going, lecturing in the United States to earn money. In 1959 the house was sold and demolished.

Bowen received recognition for her work, being awarded Doctorates in Literature by Trinity College, Dublin (1949) and the University of Oxford (1952). She was also awarded the CBE.

After spending some years without a permanent home, Bowen settled in Hythe and died of cancer in 1973, aged 73. She is buried with her husband in Farahy church yard, close to the gates of Bowen’s Court. A commemoration of her life is held annually in Farahy church.

In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching--the end of British rule in the south of Ireland and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending.

The last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual.