John Steinbeck was never content to repeat himself, and his restless search for new forms and fresh subject matter is fully evident in the books of his later years. This volume collects four novels that exhibit the full range of his gift, along with a travel book that has become one of his most enduringly popular works.
In The Wayward Bus (1947), Steinbeck leads a group of ill-matched passengers representing a spectrum of social types and classes, stranded by a washed-out bridge, on a circuitous journey that exposes cruelties, self-deceptions, and unsuspected moral strengths. The tone ranges from boisterous comedy to trenchant satirical observation of postwar America. Burning Bright (1950), an allegory set against shifting backgrounds (circus, sea, farm) and revolving around the fear of sterility and the desire for self-perpetuation, marks Steinbeck's involvement with the drama in its fusion of the forms of novel and play.
Sweet Thursday (1954) marks Steinbeck's return, in a mood of sometimes frothy comedy, to the characters and milieu of his earlier Cannery Row. A love story set against the background of the local brothel, the Bear Flag, Sweet Thursday is for all its intimations of melancholy one of the most lighthearted of Steinbeck's books. It was subsequently adapted by Rodgers and Hammerstein into their musical Pipe Dream. Steinbeck's final novel, The Winter of Our Discontent (1961) is set in an old Long Island whaling town modeled on Sag Harbor, where he had been spending time since 1953. The book breaks new ground in its depiction of the crass commercialism of contemporary America, and its impact on a protagonist with traditionalist values who is appalled but finally tempted by the encroaching sleaziness.
Travels with Charley in Search of America (1962) was Steinbeck's last published book. A record of his experiences and observations as he drove around America in a pickup truck, accompanied by his standard poodle Charley, it is filled with engaging, often humorous description and comes to a powerful climax in an encounter with racist demonstrators in New Orleans.
Robert DeMott, co-editor, is the Edwin and Ruth Kennedy Distinguished Professor at Ohio University and the author of Steinbeck's Typewriter, an award-winning book of critical essays. Brian Railsback, co-editor, is dean of the Honors College at Western Carolina University and the author of Parallel Expeditions: Charles Darwin and the Art of John Steinbeck.
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这本书的叙事节奏,初读时可能会让人感到有些迟滞,但很快,我便沉浸在了那种缓慢而坚韧的韵律之中。它不像现代小说那样追求情节的跌宕起伏,而是更专注于人物内心世界的细微变化和环境对人的塑造。作者的笔触极其细腻,尤其擅长描绘人物的肢体语言和沉默时的内心独白,那些未说出口的话语,往往比直接的对话更具力量。例如,某个角色在面对困境时,紧握双拳的力度、眼神中一闪而过的犹豫,都比任何长篇的心理分析来得更具说服力。这种克制而有力的表达方式,让故事的底层情绪得以不断累积,直到最后某个关键时刻集中爆发,那种力量是排山倒海的。我尤其欣赏作者对自然景色的描写,那些对河流、山丘、以及季节更替的描绘,绝非简单的背景烘托,而是成为了参与故事的角色之一,它们见证、影响着人物的命运,带着一种古老而永恒的旁观者的姿态。
评分读罢全书,我脑中挥之不去的是那种强烈的“集体性”体验。尽管书中聚焦于少数几个家庭或个体,但他们所代表的,却是那个特定时代背景下无数失语者的心声。作者成功地捕捉到了一种集体的无助感,那种因为外部环境的巨大压力而产生的、个体力量的微不足道。然而,也正是在这种压抑的环境下,人性的光辉才显得愈发珍贵。那些相互扶持的瞬间,那些在绝境中依然坚守的道义和温情,构筑起了一道抵抗冷漠世界的屏障。这种描绘,既是对社会弊病的控诉,也是对人类精神韧性的最高礼赞。它没有给出简单的答案,没有提供廉价的救赎,只是客观地展示了冲突与挣扎,将评判的权利留给了读者。我发现自己不断在反思:在极端条件下,我能保留住多少自己认为是“人”的本质?
评分如果非要用一个词来形容阅读这本书的感受,那会是“沉浸”。作者的语言技巧仿佛设置了一个强大的磁场,一旦进入,便很难抽离。他擅长运用那些看似简单的词汇,构建出复杂而有层次的意象,让人在脑海中自动生成高分辨率的画面。我尤其欣赏作者处理冲突的方式,它很少是外显的叫喊或争斗,更多的是一种缓慢渗透、最终将人吞噬的无形压力。这种“静默的暴力”比直接的冲突更令人不寒而栗。阅读过程中,我感觉到自己仿佛站在一个巨大的历史舞台的侧面,观看一群演员在聚光灯下,用尽全力演绎着生与死、得与失的永恒主题。这本书带给我的,不只是一个故事,而是一种看待世界的方式的微小校准,一种对生命中那些“不可避免的”悲剧有了更深刻理解的沉静。
评分文学的伟大之处,或许就在于它能跨越时空的限制,将遥远年代的情感与当代人连接起来。尽管故事背景设定在几十年前,但其中探讨的关于公平、尊严和生存权的议题,在今日社会依然振聋发聩。这本书以一种近乎纪录片式的冷静,记录了历史的某个切面,但其蕴含的哲学思考却是普世的。我特别留意到作者对“家”这个概念的复杂处理——它既是庇护所,也是束缚,更是人们不惜一切代价也要捍卫的领地。这种矛盾性处理得极其高明,使得人物的行为逻辑充满了张力。我必须承认,有些章节的阅读过程是痛苦的,需要极大的情感投入,但这痛苦是值得的,因为它带来的思考深度,远非那些轻松愉快的读物所能比拟。这本书,更像是一堂关于人类精神史的必修课。
评分翻开这本厚重的书卷,首先扑面而来的是一股泥土和汗水的味道,仿佛能真切地感受到那些美国中西部广袤土地上的阳光与艰辛。作者的文字如同最朴实的农人,不加雕琢却字字千钧,描摹出那些在命运洪流中挣扎求生的普通人的群像。那些关于家庭的羁绊,关于土地的执着,以及在绝望边缘迸发出的微弱希望,都以一种近乎残酷的真实感呈现在眼前。我仿佛跟随那些人物一起,体验了丰收的喜悦,也品尝了饥荒的苦涩,那种深入骨髓的疲惫和对公正的渴望,让人在阅读时常常需要停下来,深深地吸一口气,才能继续往下看。这不是那种提供逃避现实的甜美故事,恰恰相反,它强迫你直面生活的本质——那些关于生存、关于道德的灰色地带。书中对社会阶层差异的揭露,那种近乎冷酷的观察视角,至今仍让人感到震撼。每一个角色的命运都像是被命运之手紧紧攥住,他们的抗争与最终的宿命,都带着一种悲壮的史诗色彩。
评分功力不夠看不懂
评分功力不夠看不懂
评分功力不夠看不懂
评分功力不夠看不懂
评分功力不夠看不懂
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