"The best historical account of race-thinking in the pattern of a `history of ideas."'--Hannah Arendt from Origins of Totalitarianism
Race and State is the second of five books that Eric Voegehn wrote before his emigration to the United States from Austria in 1938. First published in Germany in 1933, the year Hitler came to power, the study was prompted in part by the rise of national socialism during the preceding year. Yet Voegelin neither descended to the level of contemporary debates on race nor dismissed these debates by way of value judgments. Although still young when he wrote this book, Voegelin already demonstrates his singular analytical capacity as well as his ability to put political phenomena into a new perspective.
In Part I Voegelin analyzes contemporary race theories by placing the question of race in the context of the more comprehensive philoiophical problem of the interrelationships of body, mind, and soul. He demonstrates the intellectual shortcomings and theoretical fallacies of current theories; more important, he contributes to the development of a modern philosophical anthropology that aims, as Helmuth Plessner put it in a review of Race and State, "at a concept of the human being that does justice to its multilayered existence as a physical, vital, psychic, and intellectual being, without making one of these layers the measure and explanatory basis for the others."
In Part II Voegelin deals with race ideas, which he distinguishes from race theories. Race ideas, like other political ideas, form a part of political reality itself, contributing to the formation of social groups and societies. Voegelin shows that the modern race idea is just one "body ideal" among others, such as the tribal state and the Kingdom of Christ, each offering a different symbolic image of community. He traces the rise of the modem race idea, analyzes its function to structure community, and offers an answer to the question of why race ideas became successful in Germany.
Voegelin's meticulous sifting of all the Nazi race literature finally arrives at this blunt statement regarding its overall validity: "In order to preclude even the slightest possibility of a misunderstanding, let us again point out emphatically that the contrasting descriptions of the Semitic and the Aryan, the Jewish and the German character . . . contain little that is true about the nature of Jewishness."
About the Author
Eric Voegelin (1901-1985) was one of the most original and influential philosophers of our time. Born in Cologne, Germany, he studied at the University of Vienna, where he became a professor of political science in the Faculty of Law. In 1938, he and his wife, fleeing Hitler, emigrated to the United States. They became American citizens in 1944. Voegelin spent much of his career at Louisiana State University, the University of Munich, and the Hoover Institution at Stanford University. During his lifetime he published many books and more than one hundred articles. The Collected Works of Eric Voegelin will make available in a uniform edition all of Voegelin's major writings.
About the Editor
Klaus Vondung is professor of German literature at the University of Siegen.
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这本书最让我震撼的,在于它对“视角”的不断切换和反思。作者似乎并不满足于提供一个单一的、权威性的解释,而是热衷于挖掘那些被主流历史叙事所忽视的边缘声音。书中多次引用了那些来自不同社会阶层、不同地域的个体记录,他们的声音或许微弱,但却如同散落在广袤土地上的珍珠,被作者细心拾起,串联成链。这种对多元视角的尊重和呈现,极大地丰富了我们对历史事件的理解。我尤其欣赏作者在引用这些第一手材料时,所展现出的那种深切的同理心,但这种同理心又被严格地控制在分析的框架内,没有让情绪主导了论证。它迫使我们去承认,历史从来都不是铁板一块的真相,而是一个由无数个主观经验交织而成的复杂织物,这本书就是一幅精美绝伦的局部放大图。
评分这部作品的语言风格极其凝练,甚至可以说是带着一种古典的韵味,但绝不是故作高深。它成功地在学术的严谨性与文学的感染力之间找到了一个绝妙的平衡点。我感觉作者似乎对每一个词汇都进行过精心的雕琢,使得即便是描述最枯燥的政策演变过程,读起来也毫不费力,反而有一种独特的节奏美感。例如,书中对某个权力转移过程的描述,使用了大量的排比和隐喻,将原本抽象的政治博弈具象化为一场充满张力的角力。这种写作手法,使得那些原本可能让普通读者望而却步的专业术语,也像是被赋予了生命和情感。更值得称赞的是,作者的情感克制。在处理那些极具煽动性的议题时,作者始终保持着一种冷静的观察者的姿态,不流于廉价的道德审判,而是专注于剖析“何以如此”,这种高级的叙事态度,无疑提升了整部作品的格调和持久的价值。
评分坦率地说,这本书的阅读门槛不低,它需要读者具备一定的背景知识,并且愿意投入时间去消化那些密集的论证。但它绝对不是那种故作高深的“象牙塔”产物。事实上,作者在构建其理论框架时,所使用的参照物非常广泛,横跨了社会学、人类学甚至后殖民理论的多个分支。这使得整部作品的理论深度达到了一个令人敬佩的高度。它不像某些同类著作那样,仅仅停留在现象的描述层面,而是深入到机制的剖析。它提出的那些关于权力运作和身份认同如何被系统性塑造的观点,具有极强的解释力和穿透力,让你在读完后,看世界的方式都产生了微妙的偏移。这种能够重塑读者认知结构的作品,才是真正有价值的学术贡献,它不只是记录了过去,更是在为理解当下提供了一套强有力的分析工具。
评分这本书的叙事节奏把握得令人称奇,它不像那些试图一次性塞满所有信息的学术巨著,反而更像是一场精心编排的舞台剧,层层递进,引人入胜。作者在处理那些敏感而复杂的历史事件时,展现出一种近乎手术刀般的精确,既不回避矛盾的尖锐,又能巧妙地引导读者去思考其背后的结构性力量。尤其是在探讨某个特定时期社会结构变迁的那一章节,那种对微观个体命运的捕捉与宏观历史洪流的交织,简直是教科书级别的示范。我特别喜欢它如何利用大量的侧面史料——比如当时的信件往来、地方志的零星记载——来为那些主流叙事打上问号,让历史不再是扁平的一维陈述,而是充满了多重解读的可能性。这种对历史细节的执着,让整本书读起来非常“实在”,仿佛你能闻到那个年代特有的气味。它要求读者投入精力,但给予的回报是丰厚的洞察力,让人在合上书本后,仍久久不能忘怀那些鲜活的人物和他们所处的困境。
评分从结构上看,这本书的章节划分体现了作者深厚的逻辑思维能力。它不是简单地按照时间顺序铺陈,而是采用了主题式的交叉叙事,这使得读者能够更清晰地看到不同议题之间相互渗透、相互制约的关系。举例来说,当讨论到经济政策对特定族群生活的影响时,作者会立刻切入到文化符号的建构层面,然后再回溯到最初的法律条文,形成一个完美的闭环。这种非线性的叙事,初读时或许需要一点适应,但一旦进入状态,便会发现其逻辑之强大,简直无懈可击。每一次章节的转换,都像是在旋转一个多棱镜,从不同的角度审视同一个核心问题,从而揭示出更深层次的复杂性。这让我想起那些顶级的侦探小说,作者在布局时就已经预设了所有可能的读者反应,并提前做好了引导和反驳,让人在阅读体验中始终保持高度的参与感和思考的深度。
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