Six years after the best-selling, Pulitzer Prize–winning Empire Falls, Richard Russo returns with a novel that expands even further his widely heralded achievement.
Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation.
Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing.
Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions. </p>
RICHARD RUSSO is the author of seven previous novels; two collections of stories; and Elsewhere, a memoir. In 2002 he received the Pulitzer Prize for Empire Falls, which like Nobody’s Fool was adapted to film, in a multiple-award-winning HBO miniseries.
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这部小说的笔触之细腻,简直让人叹为观止。作者似乎拥有一种魔力,能将最寻常的场景描绘得如同油画般层次丰富、光影交错。我尤其欣赏它对人物内心世界的挖掘,那种微妙的情绪波动,那种难以言喻的挣扎与渴望,都被刻画得入木三分。读到某些段落时,我甚至能清晰地感受到角色呼吸的起伏和心跳的节奏,仿佛自己就是那个置身于故事洪流中的人。情节推进得张弛有度,并非那种一味追求轰轰烈烈的叙事方式,而是通过生活中的点滴细节,慢慢编织出一个复杂而真实的世界。比如,书中对某个小镇日常生活的描绘,那种带着海风咸味的寂静,那种邻里间无需言语的默契,都让我沉醉其中,久久不愿抽离。它不只是一个故事,更像是一次深入体验不同人生的旅程,让人在合上书页后,依然能品味出字里行间那股挥之不去的、属于那个特定时空的独特气息。
评分我对这部作品的结构安排感到非常惊喜。它不像我以往读过的大多数小说那样,遵循着清晰的A到B的线性叙事。相反,作者采用了大量碎片化的叙事手法,将时间线打散,通过不同角色的视角进行交替呈现,初读时确实需要集中注意力去拼凑完整的图景。这种跳跃感,非但没有造成阅读障碍,反而增添了一种悬疑和探索的乐趣。每当一个看似不相关的片段突然与之前某个埋下的伏笔相互印证时,那种“原来如此”的恍然大悟感,真是令人感到极大的满足。它强迫读者不再是被动接受信息,而是主动参与到意义的构建过程中。更值得称赞的是,即便叙事结构复杂,文字本身却保持着一种令人惊叹的简洁和精准,没有一句废话,所有的复杂性都内化在了情节的交织和人物关系的微妙变化之中。这证明了作者对故事的掌控力达到了一个相当高的水准。
评分这本书给我的整体感受是极其沉重的,但这种沉重绝非故作姿态的矫饰,而是源于对人性和社会困境的深刻洞察。作者毫不避讳地展现了生活中的不公、人性的幽暗面,以及个体在面对巨大结构性压力时的无力感。我尤其被其中几位配角的塑造所打动,他们不像主角那样光芒万丈,却在自己的困境中展现出惊人的韧性或令人心碎的脆弱。他们的命运线索,往往以一种近乎残酷的现实主义方式收尾,让人在阅读时不得不时常停下来,深吸一口气。然而,正是在这片阴影之中,作者依然留下了几处微弱却坚定的光亮——可能是某个不经意的善举,也可能是一种对真相的执着追求。这使得整部作品在批判的同时,也蕴含着一种对人类精神深处希望的复杂肯定。
评分坦白说,初读这本书的开篇,我有一点点抗拒。它的开篇并不像商业小说那样,用一个爆炸性的事件立刻抓住读者的眼球。它更像是一首缓慢展开的交响乐,先是低沉的大提琴独奏,营造出一种略带压抑和神秘的基调。但如果你能坚持读过前三分之一,你会发现那份“慢”实际上是在积蓄力量。作者对环境的渲染极其出色,那种特定的地理位置——或许是多雾的海岸,或许是幽深的山谷——不仅仅是故事发生的背景,它本身就是一种角色,深刻地影响着人物的命运和选择。我特别喜欢其中关于“记忆与遗忘”的探讨,它没有给出一个简单的答案,而是抛出了许多尖锐的问题:我们所坚信的过去,究竟有多少是真实,又有多少是自我美化的产物?这种哲学层面的思辨,让这部作品远远超越了一般的娱乐范畴,成为了可以反复咀嚼的文学佳作。
评分从纯粹的语言美学角度来看,这本书的文字功力达到了令人叫绝的程度。它的句子结构变化多端,时而长得如同古典乐章般连绵不绝,充满了复杂的从句和精妙的停顿,读起来需要一种韵律感;时而又骤然收紧,变成一击即中的短句,像摄影镜头瞬间的聚焦,精准地捕捉到核心的冲突点。我发现自己会不自觉地反复阅读某些段落,只是为了欣赏那个动词的选择,或那个形容词的搭配,它们之间的化学反应产生了不可思议的张力。它不像许多当代作品那样追求通俗易懂,而是更偏向于一种精雕细琢的艺术品,需要读者付出相应的努力去解码。毫无疑问,这是一本需要用“心”去阅读的书,它回报给读者的,不仅仅是一个故事,而是一场关于语言潜能的深度体验。
评分2.6-21| not funny as his other works but definitely the most ambitious the non-linear narrative is really powerful it forces you to think about love and life in a cruel yet honest way the storyline with Kayla seems out of place i can understand the decision to some extent while this book is labeled uneventful as every book i feel american writers
评分2.6-21| not funny as his other works but definitely the most ambitious the non-linear narrative is really powerful it forces you to think about love and life in a cruel yet honest way the storyline with Kayla seems out of place i can understand the decision to some extent while this book is labeled uneventful as every book i feel american writers
评分2.6-21| not funny as his other works but definitely the most ambitious the non-linear narrative is really powerful it forces you to think about love and life in a cruel yet honest way the storyline with Kayla seems out of place i can understand the decision to some extent while this book is labeled uneventful as every book i feel american writers
评分2.6-21| not funny as his other works but definitely the most ambitious the non-linear narrative is really powerful it forces you to think about love and life in a cruel yet honest way the storyline with Kayla seems out of place i can understand the decision to some extent while this book is labeled uneventful as every book i feel american writers
评分2.6-21| not funny as his other works but definitely the most ambitious the non-linear narrative is really powerful it forces you to think about love and life in a cruel yet honest way the storyline with Kayla seems out of place i can understand the decision to some extent while this book is labeled uneventful as every book i feel american writers
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