"This book is an introduction to some of the main problems of philosophy--God, mind, freedom, knowledge, and ethics. The chapters may be read independently of one another. But when read in order, they tell a more or less continuous story. We begin with some reflections about the legacy of Socrates and then go on to the existence of God, which is perhaps the most basic philosophical question of all because our answer to it influences how we will answer all the others. This leads naturally to a discussion of death and the soul, and then to more modern ideas about the nature of persons. The later chapters are about whether it is possible for us to have objective knowledge in either science or ethics." James Rachels, from the Preface
James Rachels, the distinguished American moral philosopher, was born in Columbus, Georgia, in 1941 and graduated from Mercer University in 1962. He received his Ph.D. in 1967 from the University of North Carolina, Chapel Hill, studying under Professors W. D. Falk and E. M. Adams. He taught at the University of Richmond, New York University, the University of Miami, Duke University, and the University of Alabama at Birmingham, where he spent the last twenty-six years of his career. 1971 saw the publication of his groundbreaking anthology Moral Problems, which ignited the movement away from teaching meta-ethics in American colleges to teaching concrete practical issues. Moral Problems sold 100,000 copies over three editions. In 1975, Rachels wrote “Active and Passive Euthanasia,” arguing that the distinction so important in the law between killing and letting die has no rational basis. Originally appearing in the New England Journal of Medicine, this essay has been reprinted over 300 times and is a staple of undergraduate education. "The End of Life" (1986), a moral treatise on life and death, broadened and deepened these ideas. Created from Animals (1990) made the case that a Darwinian world-view has widespread philosophical implications, including drastic implications for our treatment of nonhuman animals. Can Ethics Provide Answers? (1997) was Rachels’ first collection of papers. His second, The Legacy of Socrates, was published posthumously. Rachels' best-known work is The Elements of Moral Philosophy. Now in its fifth edition, this introduction to ethics has sold over half a million copies and might be the best-selling book in philosophy. Among some of the subjects covered by Rachels are ethical and simple subjectivism, emotivism, as well as ethical and psychological egoism to name a few. One key feature of this text is the use of real-world examples to highlight points regarding complex philosophical principles. Shortly before dying of cancer in 2003, Rachels wrote Problems From Philosophy, a fascinating and readable introduction to philosophy.
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我必须得说说这本书的排版和校对工作,简直是教科书级别的典范。在数字化阅读越来越盛行的今天,一本精良的纸质书更能体现其价值,而这本书的内文排版,充分体现了专业性和艺术性的完美结合。行距和字距的设置恰到好处,既保证了文本的密度,又为眼睛提供了足够的喘息空间。更让人称道的是,作者或编者在引用其他学者观点时,采用了非常清晰的标注系统,无论是脚注还是尾注,都做得规范且易于查找,这对于需要深入追溯源头的学术阅读者来说,简直是福音。我特地翻阅了几个关键定义和术语的出现处,都没有发现任何排版上的错误,更别提那些低级的错别字或语法错误了。这种近乎完美的工艺水准,在我近期阅读的众多出版物中是极其罕见的。它向读者传递了一个非常明确的信息:这本书的内容是经过反复斟酌、精雕细琢的,每一个字、每一个标点符号都经得起推敲。这种严谨的态度,极大地提升了书籍本身的权威性和可信度。
评分这本书的装帧设计实在是太棒了,封面采用了一种略带磨砂质感的硬纸板,触感温润,拿到手里沉甸甸的,很有分量感。颜色上选择了深沉的墨绿色搭配烫金的字体,那种低调的奢华感一下子就抓住了我的眼球。我通常比较注重书籍的物理体验,这本书在这一点上完全超出了我的预期。内页纸张的选材也非常考究,米白色调,既保护了视力,又不会因为太白而显得刺眼,印刷的清晰度和字号的排布都非常舒服,即便是长时间阅读也不会感到视觉疲劳。更值得一提的是,它的装订工艺相当扎实,我经常需要把书本完全摊开平放在桌面上阅读,这本书的骑马钉或者胶装部分处理得非常好,书页没有出现松动或脱落的迹象。这种对细节的打磨,让人在捧读的过程中,都能感受到出版方满满的诚意和对知识的敬畏之心。虽然我还没来得及深入研究里面的内容,但光是这份沉静、经典的外观,就已经让我对它充满了阅读的期待。它放在书架上,本身就是一道美丽的风景线,散发着一种宁静而深邃的气息,仿佛在无声地诉说着它所承载的厚重智慧。
评分这本书的附录和索引部分,处理得非常人性化和实用主义。很多学术著作往往为了追求篇幅而简化或省略了这些辅助材料,但这本书却给了它们应有的重视。索引部分做得非常详尽,不仅收录了重要的专有名词,甚至连一些关键的论证环节和重要的例证都被标记了出来,这对于需要快速回顾特定论点的读者来说,效率提升是巨大的。更值得称赞的是,它提供了一个精选的延伸阅读书目。这个书单显然是经过深思熟虑的,它不仅仅是简单地罗列了经典,而是根据本书涉及的不同哲学流派和主题,做了有针对性的推荐,并附上了简短的导读,说明了每一本推荐书籍与本书内容的关联性。这相当于为读者搭建了一个从入门到进阶的完整学习路径图,极大地拓宽了阅读的深度和广度。这种对读者学习体验负责到底的态度,让我对这本书的整体价值有了更高的评价。它不仅是一本独立的著作,更像是一个功能完善的学习资源包。
评分从我阅读的篇章来看,作者在语言运用上展现出一种独特的“去魅化”能力。他似乎有一种天赋,能够将那些通常被认为高高在上、遥不可及的哲学思辨,用一种非常接地气、但绝不失深度的方式阐述出来。举个例子,他讨论某个形而上学难题时,引入了一个日常生活中常见的悖论作为切入点,用的是一种近乎幽默的笔调,让人在会心一笑的同时,猛然间意识到自己一直以来对那个问题的理解可能存在根本性的偏差。这种“以小见大”、“化繁为简”的处理方式,让我对这类主题的亲近感倍增。这本书的语言风格是那种成熟、内敛而又充满洞察力的,它不追求华丽辞藻的堆砌,而是专注于思想的穿透力。读起来,你会感觉作者是一位心思缜密的朋友,他不是在给你灌输既定答案,而是在用他的智慧,帮你磨利自己的思维工具,让你自己去切割和分析世界。这种温和而坚定的引导,远比生硬的教条更具持久的影响力。
评分这本书的章节划分逻辑性极强,我粗略浏览了一下目录结构,发现作者似乎采用了一种螺旋上升式的知识构建方法。开篇并没有直接抛出那些晦涩难懂的核心理论,而是从一些非常生活化、人人都能产生共鸣的日常现象入手,用一种近乎侦探解谜的口吻,引导读者自然而然地进入哲学思考的场域。每一个小节的过渡都衔接得极其流畅,前一个问题的收尾,往往精准地指向了下一个章节的起点,这种精妙的结构设计,极大地降低了初学者面对哲学概念时的畏难情绪。它不是那种堆砌术语的教科书,更像是一位经验老道的导师,耐心地牵着你的手,一步步穿过迷雾。我特别欣赏作者在处理复杂概念时所使用的类比和隐喻,它们鲜活生动,极大地增强了文本的可操作性和理解度。整体阅读下来,感觉自己不是在被动地接受信息,而是在一个精心设计的知识迷宫中,主动地探索和建构自己的理解框架。这种引人入胜的叙事节奏,让原本枯燥的理论学习变成了一种充满发现乐趣的旅程。
评分哲学的问题,比较烦!
评分哲学的问题,比较烦!
评分哲学的问题,比较烦!
评分哲学的问题,比较烦!
评分哲学的问题,比较烦!
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