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Book Description
Minneapolis detectives Leo Magozzi and Gino Rolseth are bored-the Twin Cities have been in a murder-free dry spell. But when elderly Morey Gilbert is found dead, the crime drought ends. And the detectives are ready for some help-from Grace McBride and her offbeat crew at a little software company called Monkeewrench.
Amazon.co.uk Review
After a well-received debut novel the follow-up is always a mighty mountain to climb. Those who enjoyed the first book want the upward trajectory to be maintained, but we all fear a loss of momentum. PJ Tracy's Live Bait proves one thing conclusively: that the phenomenal Want to Play? was no fluke, and that in Tracy we have an American suspense writer with all the credentials to sit firmly in the upper echelons of top crime novelists.
That first book had critics rooting through their lexicons to come up with new ways of saying just how edge-of-the-seat it was, and if the new novel doesn't deliver quite the same levels of tension, that may be because Tracy has other fish to fry here than simply raising the pulse rate of the reader. Lily Gilbert stumbles across the body of her husband Morey in a field, shot through the brain, her grief is matched by shock at the execution-style death. Soon, other murders are happening with the same ruthless precision: old people are being dispatched in the same cool-headed fashion, and the victims appear to have led lives that hardly invited their violent ends. Assigned to solve the deaths are Detectives Rolseth and Magozzi, two very different individuals whose quirky method of working together produces only fitful success--until they light upon the attractive Grace McBride, who has managed to live through a previous bout of bloodletting. But can Grace lead the duo to the answers before more people die? And what are the consequences of delving into some very dark secrets?
If the slow-burn tension here is more tantalisingly handled than in the first book, that doesn't bespeak a faltering grip on Tracy's part: the agenda here is clearly the steady, methodical accruing of detail (in terms of both plot and characterisation) that pays handsome dividends, even if Tracy stretches our patience to audacious limits. Once again, we have the brilliantly observed character building and Hitchcockian assaults on the reader's sensibility. The suspense now is… can the third Tracy novel top its predecessors?
--Barry Forshaw
From Publishers Weekly
The mother-daughter mystery writing team known as P.J. Tracy produces another winner with this follow-up to 2003's lively Monkeewrench. After several homicide-free months in their hometown of St. Paul, wisecracking police detectives Leo Magozzi and Gino Rolseth are back in action when elderlya"and much beloveda"gardener Morey Gilbert is found face up near his greenhouse with a bullet hole in his head. At first, the prime murder suspects are family members: Gilbert's estranged son, Jack, a slick personal injury lawyer, and Gilbert's dry-eyed widow, Lily, who discovered the corpsea"and moved it before the police arrived. When three more slayings follow, Magozzi and Rolseth discern disturbing common threads: each of the victims is over 80 anda"except for Arlen Fisher, shot in the arm and dragged onto the train tracks to face his dooma"Jewish survivors of Nazi concentration camps. Critical clues, including a gun traced to murders around the globe, surface as straitlaced detectives Aaron Langer and Johnny McLaren join the more offbeat Magozzi and Rolseth on the case. Tracy serves up punchy prose and quirky characters, from a sartorially challenged police chief to a plump, shrewd crime tech named Grimm. Romance for bachelor Magozzi arrives in the form of Grace MacBride, a comely computer whiz whose sophisticated software program, FLEE, has helped crack countless cases. The courtship moves slowly despite undeniable sparks; MacBride is still haunted by Monkeewrencha"the deadly case that first brought the two together and continues to hover like a cloud of doom. With her stash of high-tech research tools, including special face recognition software, MacBride delivers revelations about both victims and perpetrator, leading Magozzi and Rolseth toward the case's spine-chilling resolution. With generous doses of humor and suspense, this sharp, satisfying thriller will rivet readers from the start.
From Library Journal
From Booklist
Forget Florida. Lose L.A. It's Minnesota that's heating up contemporary mysteries. Think William Kent Krueger and John Sandford, both of whom move their novels easily between the Twin Cities and the wild country to the north.
Two more Minnesota crime writers, each with their second novels coming out, prove the cold front is no fluke. In Live Bait, the mother-daughter writing team that goes by the name P. J. Tracy concocts a police procedural that can be cherished for its dead-on cop humor and cop banter, as much as for the intricate plot. "Homicide is dead," laments a Minneapolis homicide detective: no bodies on the ground for months, only cold cases to keep the homicide guys busy. And then, a boon for Minneapolis detectives Leo Magozzi and Gino Rolseth--two possible murders in one spring day. Both of the deceased are in their 80s; both live near each other. The cases are satisfyingly tricky. In the first, there is no crime scene, since the nongrieving widow dragged her husband from the outdoors into a greenhouse. In the second, there is a scene but no body--until one turns up tied to the railroad tracks. If a police procedural can be both disturbing and fun-filled, this is it.
Connie Fletcher
From AudioFile
Putting Buck Schirner together with Tracy's' wisecracking, macho Minneapolis detectives, Leo and Gino, is a bang-up combination. Schirner's dry, raspy performance is in perfect sync with the emotions of the veteran cops caught up in the search for what may be two serial killers. Why would anyone kill Morey Gilbert, loved by hundreds in the Twin Cities for his acts of kindness and generosity, a man who survived a concentration camp only to be shot down in his own yard in his 80s? This follow-up to MONKEEWRENCH, the well-received first book by collaborators Patricia Lambrecht and Traci Lambrecht [P.J. Tracy] brings back many of the same characters, as well as the miraculous software they've invented for solving cold cases. This book stands alone, as well, with many fun twists and turns along the way. D.G.
Book Dimension
length: (cm)17.6width:(cm)11
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说实话,这本书的结构设计简直精妙绝伦,让我想起了那些宏伟的建筑设计图。作者似乎对时间的掌控有着非凡的直觉,他巧妙地穿插着过去的回忆和当前的行动,两条时间线并行推进,但绝不混乱,反而像两条溪流最终汇聚成一条更壮阔的江河。每一次章节的切换,都带着一种恰到好处的悬念,让你不得不翻到下一页去寻找答案,这种阅读的“上瘾性”太强了。我尤其欣赏作者在处理多视角叙事时的功力,虽然笔墨切换频繁,但每个角色的“声音”都保持了高度的辨识度和一致性,你永远知道是谁在说话,以及他/她的立场和动机。这本书的张力从头到尾都保持在一个很高的水平线上,很少有拖沓或冗余的部分。它是一部关于复杂性如何被清晰呈现的范例,非常适合喜欢结构复杂但逻辑清晰的故事的读者。
评分初翻开这本书时,我还有点担心会是那种故作高深的文学作品,但很快我就被它那种朴实而又充满生命力的文字所吸引住了。作者的文字功底毋庸置疑,他没有使用太多华丽的辞藻,而是用最精准、最贴近生活的方式,讲述了一个个关于坚持与选择的故事。我感觉自己不是在“读”一个故事,而是在“经历”一群人的命运。特别是书中对几个主要人物内心独白的处理,那种未经修饰的、直击灵魂的思考,让我产生了强烈的共鸣。其中有一段关于主角面对重大失落时的描写,简直是神来之笔,寥寥数语,却将那种从心底涌起的无力感表现得淋漓尽致。这本书的魅力就在于它的“真”,它让你放下戒备,坦诚地去感受故事里的一切喜怒哀乐。对于那些追求心灵触动的读者来说,这绝对是一次不容错过的精神洗礼。
评分天呐,我必须得说,这本书的叙事节奏把握得太到位了!它就像一场精心编排的音乐会,时而舒缓悠扬,为我们铺陈背景和人物情感,时而突然拔高,用一连串紧凑的事件将你推向故事的核心冲突。我很少能找到一本能让我如此沉浸其中的作品。作者对环境的描写简直是教科书级别的,你仿佛能闻到空气中的味道,感受到阳光或是阴影的温度。更让我印象深刻的是,书中对于复杂人际关系的描绘,那些微妙的误解、心照不宣的默契,都被刻画得入木三分,真实得让人心疼。我尤其欣赏作者在关键时刻使用的那种留白艺术,不多不少,恰到好处地把解释权交给了读者,让每个人都能在脑海中构建属于自己的理解和情感投射。读完后劲很大,好几天我还在琢磨那些未尽的意味,这本书绝对是近期阅读体验中的一座高峰。
评分这本关于……的书简直让我爱不释手,作者的笔力实在非凡。他构建的世界观宏大而又细致入微,每一个角落都充满了令人惊叹的细节。我尤其欣赏作者在人物塑造上的功力,那些主角和配角的形象鲜活得仿佛就坐在我身边,他们的挣扎、抉择和成长,都深深地牵动着我的心弦。书中的情节跌宕起伏,高潮迭起,读起来让人欲罢不能。我常常在深夜里还忍不住要再看一章,生怕错过任何一个转折。更难得的是,在这样一个扣人心弦的故事背后,作者还巧妙地融入了对一些深刻社会议题的探讨,引人深思,让人在享受阅读乐趣的同时,也能获得思想上的启迪。这本书的语言风格也十分独特,时而磅礴大气,时而细腻婉转,精准地捕捉到了不同场景和人物的心境变化。总而言之,这是一部值得反复品读的佳作,我已经迫不及待想向所有喜欢深度阅读的朋友们推荐它了。
评分我通常对这类题材的书籍抱持着比较审慎的态度,但这本书完全颠覆了我的刻板印象。它最成功的地方在于,它提供了一个既陌生又无比熟悉的世界。作者构建的社会背景虽然带有一定的虚构色彩,但其运行的逻辑和折射出的人性弱点却与我们现实世界如出一辙。我常常在阅读时停下来,思考“如果是我,我会怎么做?”这种代入感极强。书中对道德困境的探讨尤为深刻,没有简单的黑白对错,只有在特定压力下人性的灰度地带。作者的笔触是冷静而客观的,他提供了一个舞台,让角色在上面自我辩驳和成长,而不直接对他们进行价值判断,这使得整个故事显得尤为高级和引人入胜。这是一部不惧怕展示人性复杂面的作品,读完后,你对“人”这个概念的理解也许会更深一层。
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