5x7 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


5x7

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William Eggleston (Photographer) 作者
Twin Palms Publishers
譯者
2007-1-15 出版日期
120 頁數
USD 75.00 價格
Hardcover
叢書系列
9781931885485 圖書編碼

5x7 在線電子書 圖書標籤: 攝影  畫冊  William  Eggleston  威廉·埃格爾斯頓  William_Eggleston  Photographs  日本寫真   


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5x7 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

5x7 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

5x7 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



5x7 在線電子書 用戶評價

評分

彩色夜酒館 bounce flash小助理。 斯基說他 沒見過 就代錶瞭一切阿。 這本書倒沒開啓彩色照片的新紀元。但是他確實開啓瞭。。

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敘事與肖像,刻意設計的姿勢暴露齣一種狀態

評分

全是人像,似乎在強調個體差異,顯得有點莫名其妙。還有一張電影"William Eggleston in the Real World" 的海報。

評分

彩色夜酒館 bounce flash小助理。 斯基說他 沒見過 就代錶瞭一切阿。 這本書倒沒開啓彩色照片的新紀元。但是他確實開啓瞭。。

評分

http://www.douban.com/photos/album/80865517/

5x7 在線電子書 著者簡介


5x7 在線電子書 著者簡介


5x7 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

5x7 在線電子書 圖書描述

First edition, first printing. Hardcover. Fine olive-green cloth-covered boards with title stamped in black on spine, with photographically illustrated dust jacket. Photographs by William Eggleston. Essay by Michael Almereyda. Includes two-sided four-color poster (22 x 14 3/4 inches) for Eggleston's film "Stranded in Canton" (recto), and Almereyda's film "William Eggleston in the Real World" (verso). Designed by Jack Woody. Unpaginated (120 pp.), with 32 four-color and 29 black and white plates, the essay text printed blue, gray and black; all beautifully printed on heavy matt stock. 14 1/4 x 10 7/8 inches. This first edition was limited to 4000 hardbound copies. One of the very best monographs of Eggleston's work published to-date! Out of print. CONDITION: New in publisher's shrink-wrap. From the publisher: "William Eggleston's latest monograph features photographs taken during the early 1970s using a large format 5x7 camera. While the book includes imagery typical of the Eggleston oeuvre-- streetscapes, parked automobiles, portraits of the strange and disenfranchised--the book also offers never-before-published photographs taken in the nightclubs Eggleston used to frequent." According to Walter Hopps, "With it [his camera and portable strobes] Eggleston could shoot in virtual darkness in the juke joints and clubs around Memphis. The portraits are offhand and spontaneous but insistently stark; their brutality is heightened by the absence of color. The portraits have a leveling effect--whether biker or debutante, the people Eggleston photographed are clearly denizens of the same realm. [He] is reminding us: look closely, each of these individuals is subtly different." And from Johanna Burton, in Artforum: "Riveting as the sitters' accoutrements are, most compelling is the way in which each person is at once magnifed--laid bare and vulnerable. . . . Staring, smiling, grimacing, glowering, these are less portraits of 'individuals' than of the expressions that settle fleetingly on their malleable features. Each face feels stranger and more physically ambivalent than the next."

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