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Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti
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Amelia Jones 作者
Cambridge University Press
译者
1995-08-25 出版日期
340 页数
USD 65.00 价格
Paperback
丛书系列
9780521456548 图书编码

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 图书标签: 艺术批评  英文  艺术史书单  杜尚   

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Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


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Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 著者简介

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 图书目录

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在线电子书 图书描述

A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his 'readymades', (the standard terms used to describe Duchamp's works) has paradoxically served in a paternal role for post-1960s American artists, critics and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of Abstract Expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his readymades to destructure the contradictory notions of sexual difference and subjectivity.

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