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Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti
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Amelia Jones 作者
Cambridge University Press
譯者
1995-08-25 出版日期
340 頁數
USD 65.00 價格
Paperback
叢書系列
9780521456548 圖書編碼

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 圖書標籤: 藝術批評  英文  藝術史書單  杜尚   

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發表於2024-12-28

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 用戶評價

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Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 著者簡介

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 著者簡介

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criti 在線電子書 圖書描述

A critical analysis of postmodernism in the visual arts since the 1960s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art. Amelia Jones contends that Duchamp, through his 'readymades', (the standard terms used to describe Duchamp's works) has paradoxically served in a paternal role for post-1960s American artists, critics and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of Abstract Expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his readymades to destructure the contradictory notions of sexual difference and subjectivity.

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