With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of twentieth-century America" (Forum), lauded on publication of the first volume not only for its scope, but also for its groundbreaking style. Again, employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve. 1919 opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, a radical Jew, and we glimpse Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier.
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可能写法受乔伊斯影响太多，既有报纸标题，又有电影眼睛。不过上百页写乔·威廉斯的水手角色，跟奥尼尔的杨克相比差距太多。
评分可能写法受乔伊斯影响太多，既有报纸标题，又有电影眼睛。不过上百页写乔·威廉斯的水手角色，跟奥尼尔的杨克相比差距太多。
评分可能写法受乔伊斯影响太多，既有报纸标题，又有电影眼睛。不过上百页写乔·威廉斯的水手角色，跟奥尼尔的杨克相比差距太多。
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评分可能写法受乔伊斯影响太多，既有报纸标题，又有电影眼睛。不过上百页写乔·威廉斯的水手角色，跟奥尼尔的杨克相比差距太多。
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