Pyongyang

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Guy Delisle (born January 19, 1966) is a comic book author from Quebec City, Quebec, Canada. He studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. He later worked for different studios in Canada, Germany, France, China and North Korea.

His experiences as a supervisor of animation work by studios in Asia were recounted in two graphic novels, Shenzhen (2000) and Pyongyang (2003). The two books, Delisle's most famous work, were first published in French by the independent bande dessinée publisher L'Association. They have been translated into many languages, including English, German, Italian, Polish, Czech and Spanish.

He is married to a Médecins Sans Frontières administrator.[1] With her, he made a trip to Myanmar (Burma) in 2005, which is recounted in Chroniques Birmanes (2007).[2] (translated into English as Burma Chronicles). In the summer of 2009, they completed a one year stay in Jerusalem, Israel, again with Médecins Sans Frontières.[3]

出版者:Drawn and Quarterly
作者:Guy Delisle
出品人:
页数:192
译者:
出版时间:2007-05-01
价格:USD 14.95
装帧:Paperback
isbn号码:9781897299210
丛书系列:
图书标签:
  • 漫画 
  • 朝鲜 
  • 绘本 
  • 加拿大 
  • 独立漫画 
  • 平壤 
  • 法语 
  • 高天推荐 
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In 2001, cartoonist Guy Delisle lived in the capital of North Korea for two months on a work visa for a French film company. In this remarkable graphic novel, Delisle recorded what he was able to see of the culture and lives of one of the last remaining totalitarian communist societies.

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在非常偶然的情况下,我在一个在线漫画网上看到这部漫画,第一时间吸引我的,正是那怪异的封面(其实是平壤某精英少年乐团在表演),那种线条和色调,让我想起《皮尔斯姐妹》,我猜想,这肯定是一本“丑化”朝鲜的漫画…… 进去一看,原来是讲加拿大漫画家盖·德利斯勒(Guy D...  

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作者是加拿大人,不远万里来到朝鲜,帮助朝鲜人民发展动画事业(好吧,实际上是朝鲜接了他们外包的活儿——朝鲜还是颇接了一些外包动画的),业余把所见所闻用漫画记录下来。 因为是前来工作的外国友人,所以比旅游者的见闻范围广些。当然,不该去的地方照样不能去。但他也算...  

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初阅此书时,着实百感交集,一番对比下来觉得我可算幸运的了,至少还能在马路边看姑娘们低胸短裙,还能上上豆瓣写写评论媚雅装逼~呵呵~ 之后又恰巧翻到一篇朝鲜人民代表选举的材料,着实感到无厘头,拿去与室友分享,哪知却被他一阵抢白,才发觉自己其实又是在五十笑百啦 ...  

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1 我不认为这世上存在干净的战争,不管参战者是谁。而且我也绝不会凭三张模糊的照片和几张绘画,就把整个民族妖魔化。 2他们真的相信这坨强迫他们咽下去的狗屎吗? 3就某种压迫的层面而言,真相并不重要。因为谎言越大,所显示的权利就越大,人们心怀的恐惧就越大,无言的、...  

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1 我不认为这世上存在干净的战争,不管参战者是谁。而且我也绝不会凭三张模糊的照片和几张绘画,就把整个民族妖魔化。 2他们真的相信这坨强迫他们咽下去的狗屎吗? 3就某种压迫的层面而言,真相并不重要。因为谎言越大,所显示的权利就越大,人们心怀的恐惧就越大,无言的、...  

用户评价

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多年前读过

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日记

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borrow from library, English version, hardpaper, second time, graphic novel

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borrow from library, English version, hardpaper, second time, graphic novel

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看完有种深深的恐惧。难怪这个作者的Shenzhen在国内似乎没得卖了。

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