Why I Write

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出版者:Back Bay Books
作者:Will Blythe
出品人:
页数:256
译者:
出版时间:1999-09-15
价格:USD 19.99
装帧:Paperback
isbn号码:9780316115926
丛书系列:
图书标签:
  • 写作
  • 文学
  • 回忆录
  • 个人成长
  • 作者观点
  • 写作技巧
  • 生活感悟
  • 内省
  • 书籍
  • 阅读
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具体描述

With the enormous quantity of books on the market purporting to teach us how to write, it is with some relief that someone has thought to pull one together on why writers write. Will Blythe, a contributing editor to Harper's and Mirabella and formerly the literary editor at Esquire, has assembled a fine cast of 26 contemporary fiction writers to muse on his assigned topic, "Why I Write." The reasons, boiled down, range from "Because I can't do anything else" to "Because I can't not write." Ho-hum. But these are fiction writers, don't forget, and fiction writers can spin yarns.Thom Jones's (The Pugilist at Rest,Cold Snap) formation as a writer began, perhaps, during lunch hours spent drawing sharp-witted comics in the principal's office at a Lutheran elementary school. A promising start at the Iowa writing program dead-ended, seemingly, with drunken night shifts as a school janitor. Only an epiphany involving Wile E. Coyote drew him back to writing. Before long, he'd sold three stories in one afternoon, to Harper's, Esquire, and the New Yorker. "Fiction writers often mature at a glacial pace," says Jones. " I was slower than most."With apparent effortlessness, Elizabeth Gilbert(Pilgrims) weaves together tales of a cursing cowboy, her grade-school diary, a gawky teenager who aspired to be a magician, and a man whose neighbors had stolen his cat. "Sometimes," says Gilbert modestly, "when we are trying to find a calling, it is helpful to confirm that we are not really very good at anything else." Gilbert, it is clear, has found her calling. And Mark Richard(The Ice at the Bottom of the World,Fishboy) tells a sprawling mini-saga about a "special child" whose life is so full of the elements of good fiction (a scorpion-infested sandbox, a homesick mother, a father who accidentally lit a borrowed bulldozer on fire, a mean tomcat named Mr. Priss, a family friend who got shredded in a silage bin) that you can't imagine him not becoming a fiction writer. Also: Lee Smith, Pat Conroy, David Foster Wallace, Tom Chiarella, Jayne Anne Phillips, and others. --Jane Steinberg

这本书《Why I Write》的内容聚焦于探索文字背后的力量与创作动力,旨在揭示写作对于人类表达、记忆与情感的重要作用。作者通过系统地分析个人经历和专业观点,深入描绘了写作过程中的各种难题与挑战,从最初的想法萌芽到最终的成品呈现。这本书并未停留在简单的叙述层面,而是结合具体案例和实例,揭示了语言如何成为连接思想与感情的桥梁。 书中首先详细解析了写作背后的动机,作者强调了文字不仅是一种表达工具,更是个体自我发现的重要方式。在探讨不同背景下写作的表现形式时,书籍展示了文化、时代与个人经历如何深刻地影响创作风格。此外,还涉及到写作中的心理机制,如克服自我怀疑、面对批评和求助于他人等问题,帮助读者更好地理解自身的创作过程。 文章还深入讨论了语言的变革力量,通过对比不同语体(如学术、文学、日常交流)的特点,帮助读者认识到适当使用特定语言的重要性。在写作技巧方面,书中提出了一系列实用建议,如如何提升语言的流畅度与感染力,如何在有限时间内完成高质量内容等,这对任何希望提高写作能力的读者都是有价值的参考。 《Why I Write》还特别关注了现代传播环境下的写作挑战。作者借助实际案例剖析了社交媒体、专业论坛和新闻媒体中写作的特殊要求,分析了在快节奏与高压力环境中保持创意与连贯性的技巧。这些内容不仅有助于提升个人写作水平,也为不同类型的读者提供了切实可行的指导。 书中还引入了跨学科的视角,通过结合心理学、教育学和语言学理论,探讨了写作对认知发展的作用以及其在教育过程中的重要性。这种多维度的分析方式,使得整个书籍不仅适合爱读文学的人士,更吸引那些希望从专业视角提升自己的思考能力和表达技巧的人。 通过丰富的实例与深入的分析,《Why I Write》为读者提供了一份全面而系统的写作指南,同时也鼓励他们重新审视自己对文字的价值与潜力。这本书不仅是一本关于写作的引论著作,更是一份启迪人心、激发创造力的宝贵资源。 作者希望通过这篇书,读者能更清晰地认识到自身在写作中的独特位置,并从中汲取灵感,以便在未来的创作中不断探索与突破。这本作品无不体现了对语言艺术的高度关注,也为各个学习和工作领域的人们提供了一份实用且有深度的参考。

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