Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture. She portrays club cultures as "taste cultures" brought together by micro-media like flyers and listings, transformed into self-conscious "subcultures" by such niche media as the music and style press, and sometimes recast as "movements" with the aid of such mass media as tabloid newspaper front pages. She also traces changes in the recording medium from a marginal entertainment in the 50s to the clubs and raves of the 90s.
Drawing on the work of Pierre Bourdieu, Thornton coins the term "subcultural capital" to make sense of distinctions made by "cool" youth, noting particularly their disparagement of the "mainstream" against which they measure their alternative cultural worth. Well supported with case studies, readable, and innovative, Club Cultures will become a key text in cultural and media studies and in the sociology of culture.
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在literature review里提到了otherworld的概念。然而就像@法厄同 说的，“即使在舞厅里，不同的舞厅在种族比例上还是有很大差异的，例如白人主导的舞厅，非裔的，亚裔的，包括不同性别的，这个等级秩序里依然在不断分层构造新的权力层级。”另外布尔迪厄的文化资本是否能直接移植到亚文化，存疑。也许更碎片化的亚文化是弱认同感的。此外，她的理论不太适用于西方大城市以外的地域，比如香港。
评分一篇论文的重要参考书。绝对(政治上)是很讨厌作者本人了。研究尚可，但是话说太绝了，如亚文化资本、套用语境等很多问题上都需要继续商榷。
评分一篇论文的重要参考书。绝对(政治上)是很讨厌作者本人了。研究尚可，但是话说太绝了，如亚文化资本、套用语境等很多问题上都需要继续商榷。
评分一篇论文的重要参考书。绝对(政治上)是很讨厌作者本人了。研究尚可，但是话说太绝了，如亚文化资本、套用语境等很多问题上都需要继续商榷。
评分一篇论文的重要参考书。绝对(政治上)是很讨厌作者本人了。研究尚可，但是话说太绝了，如亚文化资本、套用语境等很多问题上都需要继续商榷。
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