Flapper 在线电子书 图书标签: flapper 20年代 Fashion 女性 NONFICTION 爵士时代 ★
发表于2024-12-22
Flapper 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
爵士时代浮世绘,镜头对准这样的一个群体——“flapper”,生于mass production and mass reproduction的一代女性,向性爱与时尚敞开怀抱,在redefine浪漫与婚恋、将维多利亚时代的“礼义廉耻”置诸脑后的狂奔中,消费主义是武装抑或是画地为牢,追逐autonomy与命运的主导权,尽管individuality是在对flapper群体新范式的conformity中所确立的。或许可以这么说:“The flapper was, in effect, the first thorough modern American.”
评分爵士时代浮世绘,镜头对准这样的一个群体——“flapper”,生于mass production and mass reproduction的一代女性,向性爱与时尚敞开怀抱,在redefine浪漫与婚恋、将维多利亚时代的“礼义廉耻”置诸脑后的狂奔中,消费主义是武装抑或是画地为牢,追逐autonomy与命运的主导权,尽管individuality是在对flapper群体新范式的conformity中所确立的。或许可以这么说:“The flapper was, in effect, the first thorough modern American.”
评分爵士时代浮世绘,镜头对准这样的一个群体——“flapper”,生于mass production and mass reproduction的一代女性,向性爱与时尚敞开怀抱,在redefine浪漫与婚恋、将维多利亚时代的“礼义廉耻”置诸脑后的狂奔中,消费主义是武装抑或是画地为牢,追逐autonomy与命运的主导权,尽管individuality是在对flapper群体新范式的conformity中所确立的。或许可以这么说:“The flapper was, in effect, the first thorough modern American.”
评分爵士时代浮世绘,镜头对准这样的一个群体——“flapper”,生于mass production and mass reproduction的一代女性,向性爱与时尚敞开怀抱,在redefine浪漫与婚恋、将维多利亚时代的“礼义廉耻”置诸脑后的狂奔中,消费主义是武装抑或是画地为牢,追逐autonomy与命运的主导权,尽管individuality是在对flapper群体新范式的conformity中所确立的。或许可以这么说:“The flapper was, in effect, the first thorough modern American.”
评分爵士时代浮世绘,镜头对准这样的一个群体——“flapper”,生于mass production and mass reproduction的一代女性,向性爱与时尚敞开怀抱,在redefine浪漫与婚恋、将维多利亚时代的“礼义廉耻”置诸脑后的狂奔中,消费主义是武装抑或是画地为牢,追逐autonomy与命运的主导权,尽管individuality是在对flapper群体新范式的conformity中所确立的。或许可以这么说:“The flapper was, in effect, the first thorough modern American.”
Josh Zeitz has taught American history and politics at Cambridge University, Harvard University, and Princeton University. He is the author of several books on American political and social history and has written for the New York Times, Washington Post, LA Times, Smithsonian Magazine, The New Republic, The Atlantic, Dissent, American Heritage, and Mother Jones.
Josh also appeared as a commentator on two PBS documentaries –Boomer Century, and Ken Burns's Prohibition.
A former gubernatorial speechwriter and policy aide, Josh earned his B.A. with highest honors at Swarthmore College and his Ph.D. in American History at Brown University. He lives in Hoboken and Ocean Grove, New Jersey with his wife, Angela Zeitz, an artist, and their two daughters.
Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920s puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.
Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America’s first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.
The men and women who made the flapper were a diverse lot.
There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control.
Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself “Lipstick” and gave New Yorker readers a thrilling entrée into Manhattan’s extravagant Jazz Age nightlife.
In California, where orange groves gave way to studio lots and fairytale mansions, three of America’s first celebrities—Clara Bow, Colleen Moore, and Louise Brooks, Hollywood’s great flapper triumvirate—fired the imaginations of millions of filmgoers.
Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.
Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America—and a nation of consumers was born.
Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.
With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.
From the Hardcover edition.
真事儿。老公给老婆打电话,问老婆现在哪里。老婆回答:“久光百货”。老公大吼:“你去那专为二奶预备的商场干啥?!”久光,贵,久了必败光。恒隆的贵是拒人千里之外的贵,你眼红也买不起;而久光的贵是可以亲近的贵,你咬咬牙兴许买得起。一般的有夫之妇,懂得老公的就是...
评分《摩登女》一书读到结尾那一章“承受不起的奢侈”, Chanel所承认的一生最爱是博伊,因为他是真正关注过她的梦想的人,虽然他娶了另一个女人。 当博伊出车祸死去后,她奔到出事地点,痛哭流涕。 随后她推出了“小黑服”,并告诉好友:她已让整个世界为博伊居丧。 读到这里,我...
评分世界于1922年左右一分为二…… ——威拉·凯瑟 如果美国女性的现代性肇始于一小撮人的“高级八卦”,你怎么想? 后现代热病在这几年似乎稍稍退去,反正我是在顶礼膜拜和晕头转向并存的复杂情感纠结下,毅然决然趟出那淌浑水,...
评分世界于1922年左右一分为二…… ——威拉·凯瑟 如果美国女性的现代性肇始于一小撮人的“高级八卦”,你怎么想? 后现代热病在这几年似乎稍稍退去,反正我是在顶礼膜拜和晕头转向并存的复杂情感纠结下,毅然决然趟出那淌浑水,...
评分世界于1922年左右一分为二…… ——威拉·凯瑟 如果美国女性的现代性肇始于一小撮人的“高级八卦”,你怎么想? 后现代热病在这几年似乎稍稍退去,反正我是在顶礼膜拜和晕头转向并存的复杂情感纠结下,毅然决然趟出那淌浑水,...
Flapper 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024