Cinderella's Sisters 在線電子書 圖書標籤: 高彥頤 中國社會 纏足 社會性彆 曆史 介 人類學 world
發表於2024-11-23
Cinderella's Sisters 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024
範例。
評分範例。
評分範例。
評分範例。
評分範例。
高彥頤,(Dorothy Ko) 美國斯坦福大學國際關係學學士、東亞曆史係博士,專攻明清社會史及比較婦女史。曾任教加州大學聖地亞哥分校及新澤西州立羅格斯大學曆史及婦女研究係,現為紐約哥倫比亞大學巴納德分校曆史係教授。近作有《步步生蓮:綉鞋與纏足文物》(Every Step a Lotus:Shoes for BoundFeet)及《閨塾師:明末清初江南的纔女文化》(TeaeheFS of the Inner Chambers:Women andCulture in Seventeenth—Century China)等書。
The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women--those who could afford it--bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism--as a way to live as the poets imagined--ended up being an exercise in excess and folly.
高彦颐对材料的解读水平真的让人叹为观止。无论是近代反缠足知识分子留下的议论,充满争议的《采菲录》,还是明清时期文人的笔记和文学作品,高对文字材料建构知识、影响观念、反映作者态度等等各个角度的分析都很到位。历史学家还是需要学会一些文学批判的套路的。唯一的遗憾...
評分就是想象一个更复杂生动传统女性生活的世界。 客观来讲,现在好像也没有在叙事文本里看到男性知识和权力意志对女性的压迫。怎么就被莫名其妙敌对起来了 但是为自己发声是对的。 神话构建。欲望符码 但是说审美欲望用来取悦别人,这个肯定是不对的。 妇女地位是检验一个国家文明...
評分「缠足」历来被认为是中国妇女史上一个残忍的,甚至带有文化污点式的行为。之前我也并未怀疑过这样的观点,觉得裹脚布就是对女性身体最直接的束缚。但是,读罢高彦颐教授《缠足》一书中的章节,我发现二十世纪初「放足」运动的实施远比想象的复杂,其背后的动机也并非单纯...
評分缠足在现代化改革者面前,正如书中提到一样,束缚了改革脚步的陋习被批判,缠足凝结了传统中国的种种偏差和不足:压迫妇女、固步自封、蛮横专制、漠视人权等。缠足即落后。出于好奇,买了这本书,随着这几天翻开书,慢慢看进去,书页翻开另一世界,完全陌生、令人好奇,...
Cinderella's Sisters 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024