From Publishers Weekly
Colley (Britons: Forging the Nation, 1707-1837) brilliantly marshals an array of captivity narratives by everyday Britons captured by foreign powers to show the dizzying ethnic and cultural complexity of empire. She considers four zones of the British Empire-the Mediterranean, North America, India and Afghanistan-between the years 1600 and 1850. For reasons of size, population and geography, Britain couldn't run its empire alone. In India and the Mediterranean, for example, collaboration and accommodation with indigenous groups was the rule; most "British" troops in India were native-born sepoys. And over two and a half centuries, tens of thousands of Britons were taken captive by foreigners. In North America, settlers were seized by Native Americans; sailors were sold into slavery by Barbary (North African) corsairs. Colley describes how these captives handled painful encounters with the "other." To a surprising degree, she shows, captives learned to adapt to, and accommodate, a vastly different cultural milieu. Colley also provides an original account of the Revolutionary War, showing how captivity narratives became part of the propaganda war. In India, most British captives were soldiers taken in battle. These Indian narratives "served to personalize overseas and imperial events" to the larger British public.
From The New Yorker
The story of the British Empire has often been told as a steady, irresistible rise. Colley, however, shows how complex and uncertain that rise really was by examining the lives of the hundreds of thousands of Britons taken captive in America, North Africa, and India between 1600 and 1850. Captives embodied the costs of empire and the possibility of failure. Many of them came from the lower classes—a reminder of the fact that those who built the imperial edifice were usually not its prime beneficiaries. Often, they spent years living in—and even accommodating themselves to—foreign cultures, underscoring the fact that the Empire always depended as much upon negotiation and collaboration with local peoples as upon sheer force. Colley's final, provocative suggestion is that it wasn't just the actual hostages who were held captive but, rather, all Britons who found themselves in empire's thrall.
Colley, who in 2003 will become Shelby M.C. Davis professor of history at Princeton, makes a first-rate argument for her provocative thesis about the complex cross-cultural relations of empire, with lucid prose, exhaustive research and surprising insights from unexpected sources. This is highly recommended for those wishing a more nuanced, inclusive and less monolithic approach to the British empire. 74 illus.
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我得承认,这本书的阅读门槛稍高,它要求读者投入相当的耐心和专注力去跟随作者的思绪。它不像市面上流行的快餐文学那样提供即时的满足感,而是更像一坛需要时间去酝酿的美酒,初尝或许微涩,但后劲十足。书中关于人性的探讨尤为犀利,它没有简单地将角色划分为善恶两极,而是深入挖掘了灰色地带的复杂性——那些在极端压力下,人为了生存可以做出的妥协与抗争。我特别欣赏作者处理冲突的方式,它很少诉诸于外部的戏剧性爆发,而是聚焦于内在的煎熬和观念的碰撞。这种内在的冲突,往往比外部的打斗更具毁灭性,也更引人深思。读完之后,脑海中久久回荡的不是情节本身,而是那些关于“我是谁”和“我该如何做”的深刻叩问。
评分坦率地说,这本书的结构设计简直是教科书级别的典范。它巧妙地采用了多重视角切换,但这种切换并非为了炫技,而是为了更立体地呈现事件的全貌。每一个角色的声音都如此独特,带着各自的偏见、渴望与恐惧,共同编织出一张复杂的情感网络。最令我赞叹的是,作者在保持叙事张力的同时,对每一个支线人物的刻画都毫不敷衍,即使是匆匆一瞥的人物,其生命轨迹也能清晰可见。这种对细节的执着,使得整个故事世界观异常稳固,让人完全相信其真实性。阅读过程中,我像一个旁观者,又像一个参与者,对人物的遭遇感到既痛惜又敬佩。它探讨的主题非常深刻,关于选择、代价和救赎,这些沉甸甸的议题,被作者用一种近乎残酷的诚实包裹起来,让人不得不直面。
评分这本书给我的整体感受,可以用“沉浸式体验”来形容,但这种体验并非轻松愉悦,更像是经历了一场漫长而艰苦的徒步穿越。作者似乎对“等待”这个概念有着特殊的偏爱,大量的篇幅用于描绘那些看似静止实则暗流涌动的时刻。那些漫长的沉默,那些无声的对视,都蕴含着巨大的信息量。这种节奏处理,极大地增强了故事的真实感和厚重感。它没有过多的解释,而是将解释的权利交还给了读者,鼓励我们去主动解读那些被刻意留白的区域。我喜欢这种挑战性,它让我感觉自己的智力被尊重了。全书的基调虽然略显压抑,但其中穿插着的那么几处微弱却坚定的希望之光,却显得无比珍贵,如同沙漠中的一滴甘霖,让人在绝望中依然能找到前进的动力。
评分这部作品的语言风格,坦白说,带有一种冷峻而克制的古典美学,但同时又充满了一种原始的生命力。作者的遣词造句颇为讲究,拒绝了华而不实的堆砌,而是用最精炼的词汇,勾勒出最复杂的意境。尤其是对时间流逝和环境变迁的描摹,那种带着宿命感的笔调,让人联想到一些早期的现实主义大师。它不仅仅是在讲述一个故事,更像是在描绘一幅历史的切片,通过个体命运的沉浮,折射出宏大背景下的无常与坚韧。我发现自己常常需要放慢速度,去品味那些看似平淡却蕴含深意的对话,它们如同冰下的暗流,推动着情节不动声色地向高潮推进。这种沉静的力量,比那些喧嚣的文字更具有穿透力,直抵人心最柔软也最坚硬的角落。
评分这本书的叙事节奏把握得极佳,每一次转折都恰到好处地勾动人心。作者似乎深谙如何将日常的平淡与突发的震撼熔铸一体,让读者在不经意间便被卷入主角的命运洪流。我特别欣赏它对人物内心挣扎的细腻刻画,那种在绝望边缘徘徊却又不失人性光辉的描写,着实令人动容。书中的环境描写也极富画面感,仿佛能透过文字嗅到空气中弥漫的尘土与不安,感受到脚下土地的冰冷与坚硬。读到某些关键情节时,我甚至需要停下来深呼吸,那种身临其境的压迫感,证明了作者高超的叙事技巧。它不是那种一目了然的线性故事,而是充满了层次感和隐喻,每一次重读都会有新的感悟,发掘出之前忽略的细节和伏笔。那种在迷雾中摸索,逐渐拼凑出真相的阅读体验,着实是久违的享受,让人沉溺其中,难以自拔。
评分英国在地中海、美洲和印度的Captivity narratives,算是研究俘虏叙事的经典之作,方法有很多可以借鉴的地方。
评分英国在地中海、美洲和印度的Captivity narratives,算是研究俘虏叙事的经典之作,方法有很多可以借鉴的地方。
评分英国在地中海、美洲和印度的Captivity narratives,算是研究俘虏叙事的经典之作,方法有很多可以借鉴的地方。
评分英国在地中海、美洲和印度的Captivity narratives,算是研究俘虏叙事的经典之作,方法有很多可以借鉴的地方。
评分英国在地中海、美洲和印度的Captivity narratives,算是研究俘虏叙事的经典之作,方法有很多可以借鉴的地方。
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