Japan’s monastic warriors have fared poorly in comparison to the samurai, both in terms of historical reputation and representations in popular culture. Often maligned and criticized for their involvement in politics and other secular matters, they have been seen as figures separate from the larger military class. However, as Mikael Adolphson reveals in his comprehensive and authoritative examination of the social origins of the monastic forces, political conditions, and warfare practices of the Heian (794–1185) and Kamakura (1185–1333) eras, these "monk-warriors"(sôhei) were in reality inseparable from the warrior class. Their negative image, Adolphson argues, is a construct that grew out of artistic sources critical of the established temples from the fourteenth century on.
In deconstructing the sôhei image and looking for clues as to the characteristics, role, and meaning of the monastic forces, The Teeth and Claws of the Buddha highlights the importance of historical circumstances; it also points to the fallacies of allowing later, especially modern, notions of religion to exert undue influence on interpretations of the past. It further suggests that, rather than constituting a separate category of violence, religious violence needs to be understood in its political, social, military, and ideological contexts.
Mikael S. Adolphson is associate professor of Japanese cultural studies at the University of Alberta.
After graduating from high school in Kalmar the late 1970s, he graduated with a B.A. in History, Museum and Cultural Studies in 1985 from Lund University. A premodernist, he was inspired by the similarities between medieval Europe and Japan to focus his attention on pre-1600 Japan. He spent two years studying Japanese at Stockholm University before receiving a scholarship from the Japanese Education Ministry in 1986.
During the next two and a half years he lived in Kyoto and Osaka while studying at Kyoto University under the guidance of Professor Oyama Kyohei. During that time, he also coached volleyball at Osaka University of Foreign Studies and later at Kyoto University. Upon returning to Sweden, he became the head coach of the KFUM Göteborg women’s team, which took fifth place in the Elite League, in addition to winning several tournaments.
In 1989, he entered Stanford University's Ph.D. program with Professor Jeffrey Mass as his mentor. Returning to Kyoto University in the spring of 1992 for dissertation research, he also worked for the Japan Volleyball Association as an interpreter. He resumed at Stanford in the fall of 1993 and finished his dissertation two years later.
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坦率地说,初翻开这本书的时候,我有点被它的语言风格所震慑。它不像当下流行的那种直白快节奏的写作,而是充满了古典的韵味和一种近乎诗歌的节奏感。句子结构长而复杂,常常需要反复阅读才能完全领会其中的深层含义。起初,我感到有些吃力,甚至怀疑自己是否能坚持读完。然而,随着情节的深入,我逐渐被作者构建的世界观所吸引。这个世界观设定得极其精妙,充满了独特的规则和隐晦的象征意义,每一次新的发现都像是在解开一个古老的谜题。作者似乎并不急于将所有答案和盘托出,而是将解读的乐趣留给了读者。我喜欢这种需要读者主动参与建构意义的阅读过程,它让每一次阅读都变成了一次智力上的探险。书中对某些仪式和哲思的描绘,充满了令人敬畏的庄严感,仿佛触及了某种超越日常的神秘领域。这本书更像是一件需要时间去打磨的艺术品,它的价值不在于故事的跌宕起伏,而在于其文字本身所蕴含的密度和美感。对于追求文字功底和哲学思辨的读者来说,这无疑是一场盛宴。
评分这本书给我的感觉,就像是走进了一座被遗忘已久的图书馆,灰尘在光束中飞舞,每一本书都散发着陈旧而诱人的气息。它的主题非常宏大,涉及了时间、记忆、信仰体系的崩塌与重建等深刻议题。作者处理这些沉重话题的方式却出奇地轻盈,运用了大量的隐喻和象征手法,使得原本可能枯燥的哲学探讨变得充满画面感和张力。我尤其欣赏作者在叙事视角上的灵活转换,时而宏观审视历史洪流,时而又聚焦于某一个卑微个体的瞬间痛苦,这种视角上的跳跃,极大地丰富了作品的层次感。有那么几个章节,我几乎是屏住呼吸读完的,那份情感的冲击力,是近年来少有的体验。它不是那种读完会让你立刻拍案叫绝的作品,而是一种缓慢渗透、在你内心深处生根发芽的力量。它会让你在日常生活中不经意间回想起书中的某个场景或某句台词,然后陷入沉思。这本书需要读者带着开放的心态去接纳它的非线性叙事和略显晦涩的表达,但一旦进入状态,它给予你的回报是极其丰厚的精神财富。
评分这本书的力量在于它的“静默”。它没有用激烈的冲突或夸张的情节来吸引眼球,相反,它在大部分时间里都保持着一种近乎冥想的沉稳基调。然而,正是这种表面的平静之下,涌动着巨大的暗流。作者通过对人物内心活动和环境氛围的细致刻画,营造出一种挥之不去的压抑感和宿命感。我特别佩服作者对“时间流逝”这一概念的处理,书中对瞬间的拉伸和对漫长岁月的压缩都处理得极富张力,让人在阅读时对自身的存在产生一种奇妙的疏离感。文字的选择非常讲究,几乎没有一个多余的词汇,每一个形容词都像是一把精准的手术刀,切入事物的核心。虽然某些段落的密度过高,需要反复推敲,但这恰恰是它魅力的一部分——它不喂养懒惰的读者,它要求你付出思考的努力。读完之后,我感到自己看待日常事物的角度似乎有了一些微妙的转变,这可能就是一本真正优秀的作品能够带给读者的最大遗产:一种新的认知滤镜。这是一部值得收藏和反复品味的文本,它的深度需要时间来消化和沉淀。
评分阅读这本书的体验,与我以往接触过的任何小说都大相径庭。它的结构非常独特,更像是一部精心编排的交响乐,而不是传统的线性故事。开篇的铺陈非常缓慢,大量的篇幅似乎都在搭建一个庞大而复杂的背景设定,初读可能会觉得有些沉闷,甚至会让人产生“这到底要讲什么”的疑问。然而,一旦那些看似无关紧要的碎片开始相互连接时,那种豁然开朗的感觉是无与伦比的。作者对于“空间”的描绘达到了出神入化的地步,无论是具体的城市景观还是抽象的精神疆域,都刻画得入木三分,充满了奇特的想象力,仿佛是某个失落文明留下的手稿。我感觉作者在文字中埋藏了大量的文化典故和历史影射,这使得这本书具有极强的可“考古”性——每一次重读都会发现新的线索和被忽略的细节。它不是一本轻松的消遣读物,它更像是一项需要全神贯注去完成的研究项目,但那种钻研的乐趣,才是真正的甜头所在。强烈推荐给那些对世界构建和隐晦象征感兴趣的深度阅读爱好者。
评分这本书的叙事如同迷宫,层层叠叠,读起来着实需要一番耐心与心思。作者对于细节的捕捉能力令人赞叹,即便是最微小的场景,也能描绘得栩栩如生,仿佛读者亲身置身其中,呼吸着那个世界的空气。故事的脉络乍看之下有些松散,但细品之下,会发现所有的线索都巧妙地编织在一起,构成了一幅宏大而复杂的图景。这种叙事手法很考验读者的专注度,稍不留神,就可能在繁复的支线中迷失方向。我特别欣赏作者在塑造人物时所展现出的那种克制与深刻,每一个角色都不是脸谱化的,他们的动机、挣扎和转变都显得真实可信,充满了人性的复杂性。尤其是一些边缘人物的内心独白,触动人心,让人在字里行间感受到作者对人类情感的深刻洞察。读完合上书本时,心中涌起的情绪是难以言喻的满足感,那是一种经历了漫长旅途终于抵达终点的豁然开朗,同时又带着一丝失落,因为美好的阅读体验戛然而止。这本书绝对适合那些喜欢深度挖掘、享受缓慢沉浸式阅读体验的读者,它要求你慢下来,去品味每一个词语背后的重量与深意。
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