During a period of twenty years that stretched from his beginnings as a pulp writer for The Black Mask, through his writing of the novels The Big Sleep and Farewell, My Lovely, to the Hollywood years of the 1940s, Raymond Chandler kept a series of private notebooks. Filled with both public and private writings, these pages give us an intimate view of the writer at work and contain early ideas, descriptions, and anecdotes later used in such classics as The Long Goodbye and The Blue Dahlia. Read Chandler on such classic "Marlowesque" topics as pickpocket lingo, San Quentin jailhouse slang, a "Note on the Tommygun," and "Craps," as well as surprising, lesser–known essays on Hollywood, the mystery story, British and American writing, and a wicked parody of Hemingway. Also included are lists of possible story titles, "Chandlerisms," and his short story "English Summer: A Gothic Romance," which Chandler considered a turning point in his career. At times whimsical, provocative, and irreverent, but always revealing, The Notebooks of Raymond Chandler is a fascinating sampler for his new readers and an irresistible treat for his dedicated fans.
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There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science and the second is art.
评分There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science and the second is art.
评分There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science and the second is art.
评分There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science and the second is art.
评分There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science and the second is art.
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