Signatures of the Visible (Routledge Classics )

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进入20世纪90年代,詹姆逊开始注重文化研究,尤其是影视文化研究,他连续出版了两本论述电影的著作:《可见的签名》(Signatures of the Visible, 1990)和《地缘政治美学》 (The Geopolitical Aesthetic: Cinema and Space in the World System, 1992)。作为富于总体关照的批评家,詹姆逊经过近十年的潜心研究和观察,写出了《后现代主义,或晚期资本主义的文化逻辑》(Postmodernism ,or,the Culture Logic of Late Capitalism ,1991)一书,获得了最佳批评著作奖。这部著作在后现代主义历史上具有里程碑意义,在西方学术界产生了轰动效应。随着跨国资本主义的发展,他又写了论述后现代二律背反的著作《时间的种子》(The Seeds of Time,1994),发表了《文化转向》(The Cultural Turn,1998)一书。该书集中了他80年代和90年代两个十年对后现代问题的认真卓越的思考,被佩里•安德森称为“至今詹姆逊在研究后现代的著作中最好的一本”。他在这本书的前言中写到:“詹姆逊的著作,犹如夜晚天空中升起的镁光照明弹,照亮了后现代被遮蔽的风景。后现代的阴暗和朦胧霎时变成一片奇异和灿烂。”

出版者:Routledge
作者:Fredri Jameson
出品人:
页数:350
译者:
出版时间:2007-02-26
价格:USD 23.95
装帧:Paperback
isbn号码:9780415771610
丛书系列:Routledge Classics
图书标签:
  • 电影 
  • 哲学 
  • FredricJameson 
  • 电影文化研究 
  • 人大电影学 
  •  
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In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism , Fredric Jameson has established himself as one of America’s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining , Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

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