Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Shakespeare and Women (Oxford Shakespeare Topics)

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Phyllis Rackin 作者
Oxford University Press, USA
譯者
2005-08-04 出版日期
184 頁數
USD 40.00 價格
Paperback
叢書系列
9780198186946 圖書編碼

Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 圖書標籤: Shakespeare  Gender   


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Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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對之前的莎翁性彆研究做瞭很好的總結,哇靠引用瞭好多

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對之前的莎翁性彆研究做瞭很好的總結,哇靠引用瞭好多

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對之前的莎翁性彆研究做瞭很好的總結,哇靠引用瞭好多

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對之前的莎翁性彆研究做瞭很好的總結,哇靠引用瞭好多

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對之前的莎翁性彆研究做瞭很好的總結,哇靠引用瞭好多

Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 著者簡介


Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 著者簡介


Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Shakespeare and Women (Oxford Shakespeare Topics) 在線電子書 圖書描述

"Shakespeare and Women" situates Shakespeare's female characters in multiple historical contexts, ranging from the early modern England in which they originated to the contemporary Western world, in which our own encounters with them are staged. In so doing, this book seeks to challenge currently prevalent views of Shakespeare's women - both the women he depicted in his plays and the women he encountered in the world he inhabited. Chapter 1, 'A Usable History', analyses the implications and consequences of the emphasis on patriarchal power, male misogyny, and women's oppression that has dominated recent feminist Shakespeare scholarship, while subsequent chapters propose alternative models for feminist analysis. Chapter 2, 'The Place(s) of Women in Shakespeare's World', emphasizes the frequently overlooked kinds of social, political, and economic agency exercised by the women Shakespeare would have known in both Stratford and London. Chapter 3, 'Our Canon, Ourselves', addresses the implications of the modern popularity of plays such as "The Taming of the Shrew", which seem to endorse women's subjugation, arguing that the plays-and the aspects of those plays-that we have chosen to emphasize tell us more about our own assumptions than about the beliefs that informed the responses of Shakespeare's first audiences. Chapter 4, 'Boys will be Girls', explores the consequences for women of the use of male actors to play women's roles. Chapter 5, 'The Lady's Reeking Breath', turns to the sonnets, the texts that seem most resistant to feminist appropriation, to argue that Shakespeare's rewriting of the idealized Petrarchan lady anticipates modern feminist critiques of the essential misogyny of the Petrarchan tradition. The final chapter, 'Shakespeare's Timeless Women', surveys the implication of Shakespeare's female characters in the process of historical change, as they have been repeatedly updated to conform to changing conceptions of women's nature and women's social roles, serving in ever-changing guises as models of an unchanging, universal female nature.

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