Inscription and Erasure 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Inscription and Erasure

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Roger Chartier 作者
University of Pennsylvania Press
Arthur Goldhammer 譯者
2007-3 出版日期
224 頁數
$ 62.15 價格
Hardcover
叢書系列
9780812239959 圖書編碼

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Inscription and Erasure 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

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Inscription and Erasure 在線電子書 著者簡介

Roger Chartier is Directeur d'Etudes at the Ecole des Hautes Etudes en Sciences Sociales, Professeur in the College de France, and Annenberg Visiting Professor of History at the University of Pennsylvania. He is the author of numerous books, including Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer, also available from the University of Pennsylvania Press.

Arthur Goldhammer has translated more than ninety works from the French. He is an affiliate of the Center for European Studies at Harvard University and a Chevalier de l'Ordre des Arts et des Lettres.


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Inscription and Erasure 在線電子書 圖書描述

The fear of oblivion obsessed medieval and early modern Europe. Stone, wood, cloth, parchment, and paper all provided media onto which writing was inscribed as a way to ward off loss. And the task was not easy in a world in which writing could be destroyed, manuscripts lost, or books menaced with destruction. Paradoxically, the successful spread of printing posed another danger, namely, that an uncontrollable proliferation of textual materials, of matter without order or limit, might allow useless texts to multiply and smother thought. Not everything written was destined for the archives; indeed, much was written on surfaces that allowed one to write, erase, then write again.

In Inscription and Erasure, Roger Chartier seeks to demonstrate how the tension between these two concerns played out in the imaginative works of their times. Chartier examines how authors transformed the material realities of writing and publication into an aesthetic resource exploited for poetic, dramatic, or narrative ends. The process that gave form to writing in its various modes-public or private, ephemeral or permanent-thus became the very material of literary invention. Chartier's chapters follow a thread of reading and interpretation that takes us from the twelfth-century French poet Baudri of Bourgueil, sketching out his poems on wax tablets before they are committed to parchment, through Cervantes in the seventeenth century, who places a "book of memory," in which poems and letters are to be recopied, in the path of his fictional Don Quixote.

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