Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers - among them are Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. "The Space of Literature", first published in France in 1955, is central to the development of Blanchot's thought. In it, he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme, Kafka, Rilke, and Holderlin. Blanchot's discussions of those writers are among the finest in any language. Ann Smock's fluent translation retains the tone and sense of the French; her introduction situates Blanchot in the French and American cultural spectrum and outlines the history of his critical concerns. Ann Smock, an associate professor of French at the University of California, Berkeley, also translated Blanchot's "The Writing of the Disaster" for the University of Nebraska Press in 1986.
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读后感
忽然发现，自己变成了一个文盲。 曾几何时每天读至少几十页的书是为了活下去必须完成的事情，就像上厕所和吃饭一样。事实上这三件事情完全是绑在一起的——没有书读，在厕所里怎么打发时间？ 然后忽然就出现了一个叫ipad的东西。异军突起的苹果商品让我的空闲时间里充满了呕...
评分 评分《文学空间》 布朗肖 商务印书馆2003 存在主义笼罩下的审视 p26 这个中心点就是语言的完成和语言的消失的偶合之点，正是在这点上，一切在自诉，一切都是话语，但是在那里，话语不再是其自身，只是已消失东西的表象，它是想象物，是永不停歇，永无止境。 《依吉蒂尔》。。。...
评分《文学空间》 布朗肖 商务印书馆2003 存在主义笼罩下的审视 p26 这个中心点就是语言的完成和语言的消失的偶合之点，正是在这点上，一切在自诉，一切都是话语，但是在那里，话语不再是其自身，只是已消失东西的表象，它是想象物，是永不停歇，永无止境。 《依吉蒂尔》。。。...
评分玫瑰与星星在铁制的平底锅里跳跃，火焰在墙壁上投下浓黑的阴影。如果我们要重绘一副中古世纪里巫师炼金的情景，那么还必须加上黑暗背景里烘托出来的中心，一位布满皱纹的老人，他发出的喃喃自语，将周围的每一件事物，都带回了原初的寂静中。世界通过冷与热，火与水的辨证...
用户评价
只读了Rilke这章。前半部分很清晰，从death transmutes in itself开始好难...personal/disinterested death，death/dying。不愧是死亡哲学本体布朗肖...对Orpheus的分析精彩！Orpheus-Angel的本质区别在于前者是Werden而后者是Gewordensein。哀歌和十四行诗的复杂关系果然相当有趣...
评分卡夫卡日记中对文学（或在他身体里那个小说家）的复杂心态，由文学转向宗教，Zionism和anti-Zionism的矛盾，从《审判》到《城堡》K.形象的转变。总结：For there exists for him only the outside.
评分读懂文学与死亡
评分卡夫卡日记中对文学（或在他身体里那个小说家）的复杂心态，由文学转向宗教，Zionism和anti-Zionism的矛盾，从《审判》到《城堡》K.形象的转变。总结：For there exists for him only the outside.
评分只读了Rilke这章。前半部分很清晰，从death transmutes in itself开始好难...personal/disinterested death，death/dying。不愧是死亡哲学本体布朗肖...对Orpheus的分析精彩！Orpheus-Angel的本质区别在于前者是Werden而后者是Gewordensein。哀歌和十四行诗的复杂关系果然相当有趣...
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