"Set aside your "Bella Tuscanys " and "Year in Provences " for a different kind of travel book. "Pilgrimage to Vallombrosa " puts a walking stick in your hand and "Marsh's Man and Nature "in your knapsack, exploring how Italians have managed their natural and cultural heritage in ways that sustain both. John Elder's poetic meditations on land and life demonstrate that only by searching beyond our familiar boundaries can we discover better ways of living back at home." -- Marcus Hall, author of "Earth Repair: A Transatlantic History of Environmental Restoration " "This collaboration -- between George Perkins Marsh and John Elder, between Vermont and Italy, between maple and olive -- is one of the smartest, soundest, deepest books about the relationship between people and nature that I've ever read. It will be a classic." -- Bill McKibben, author of "The End of Nature ""Elder's impassioned pilgrimage shows us how to delight in messy wilderness, to secure a curative habitation of the world, and, with Marsh, to lend ecological nous to our gravest task: knowing ourselves and respecting one another. Let the maple seeds and olive stones of Elder's visionary harvest restore to us a reflective and redemptory future." -- from the foreword by David LowenthalThe pivotal figure in "Pilgrimage to Vallombrosa " is the nineteenth-century diplomat and writer George Perkins Marsh, generally regarded as America's first environmentalist. Like Elder, Marsh was a Vermonter, and his diplomatic career took him for some years to Italy, where, witnessing the ecological devastation wrought upon the landscape by runaway deforestation and the plundering of other natural resources, he was moved to produce his famous manifesto, "Man and Nature. " Marsh drew parallels between the despoiled Italian environment and his home landscape of Vermont, warning that the latter was vulnerable to ecological woes of a similar magnitude if not carefully maintained and protected. In short, his was a prescient voice for stewardship. Elder follows in Marsh's footsteps along a trajectory running from Vermont to Italy, and at length fetches up at the managed forest of Vallombrosa. Punctuated throughout with learned and genial considerations of the poetry of Wordsworth, Basho, Dante, and Frost, Elder's narrative takes up issues of sustainability as practiced locally, reports on family doings, and returns finally -- as did Marsh's -- to Vermont, where he measures traditional stewardship values against more aggressive conservation-oriented measures such as the expansion of wilderness areas. John Elder, Professor of English and Environmental Studies at Middlebury College, is the author of "Reading the Mountains of Home and The Frog Run. "Under the Sign of Nature: Explorations in Ecocriticism
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说实话,这本书的阅读体验算得上是一种挑战,特别是对于习惯了快节奏、信息密度高的小说的读者来说。它的节奏慢得让人有些不安,每一段文字都仿佛被刻意拉长,去打磨每一个感官细节。我感觉作者对待文字的态度近乎于一种强迫症式的完美主义,生怕遗漏了任何一个微不足道的侧面。举个例子,他可以花上大段篇幅去描绘一次简单的室内光线变化,以及这种变化如何影响了人物的心境。这带来的后果是,如果你只是想“读完一个故事”,可能会感到枯燥乏味,甚至会中途放弃。但是,如果能沉下心来,你会发现这种慢节奏恰恰是它力量的来源。它迫使你放慢自己的呼吸,去体会那种“在场感”。我体会到的是一种对“当下”的极度关注,仿佛时间本身在这里凝固了。书中人物的内心活动,也并非通过直白的独白展现,而是通过他们对周围环境细微反应的捕捉,侧面烘托出来,需要读者自己去进行大量的推理和感受,这要求阅读者具备相当的耐心和解读能力。
评分从情感基调上来说,这本书散发着一种近乎忧郁的美感,但又不是那种绝望的阴郁。它更像是一种对“逝去”的温柔缅怀,一种对某种理想状态不再复返的深刻理解。书中对“信仰”和“追寻”的探讨,没有落在常见的宗教教条或宏大叙事上,反而是聚焦于个体在面对巨大、永恒的背景下,所产生的微妙的、转瞬即逝的敬畏与谦卑。作者对人物的刻画极具层次感,他们不是道德上的完人,有着各自的弱点和挣扎,正因如此,他们的朝圣之旅才显得真实可信。我尤其欣赏作者处理“矛盾”的方式:他能将极度的虔诚与世俗的烦恼并置,却不让它们互相抵消,反而让这种张力成为推动阅读的内驱力。每当主人公在精神上达到某种高度时,作者总会适时地插入一个极小的、几乎不易察觉的世俗念头,这种处理手法既保留了人物的立体性,也避免了作品流于说教。
评分这本厚厚的书,刚拿到手就感觉沉甸甸的,封面设计得很朴素,那种老式印刷品的质感扑面而来,带着一股子陈旧的书香气。我得说,一开始我是带着点儿怀疑的,毕竟这年头“朝圣”这个词被用得太泛滥了,总感觉会是那种矫揉造作的自我感动文学。然而,一旦翻开第一页,我就被那种娓娓道来的叙事节奏抓住了。作者的笔触极为细腻,描绘的场景不是那种一眼就能抓住的宏大景观,而是细节,是光影在古老石墙上的移动,是清晨薄雾中修道士们低沉的吟诵声。他似乎总能找到一种恰到好处的距离感,让你既能身临其境地感受到那种肃穆与宁静,又不会被过度煽情的情绪裹挟。我尤其欣赏他对自然环境的描写,那种对托斯卡纳山地植被和气候的精确捕捉,仿佛能闻到泥土和松针混合的味道。阅读过程中,我常常需要停下来,不是因为情节复杂,而是因为那些句子本身就值得玩味——它们结构精巧,词汇的选择极其考究,带着一种近乎诗歌般的韵律。这本书的厉害之处在于,它没有急着告诉你“意义”是什么,而是耐心地铺陈着一种氛围,一种时间流逝的痕迹,让你自己去品咂其中蕴含的哲思。
评分这本书的结构非常独特,它不像传统的线性叙事那样一气呵成,反而更像是一系列精心编排的片段和回忆的集合体。章节之间的过渡常常是模糊的,有时候读着读着,你甚至会怀疑自己是否走出了某个场景,进入了另一个时空,直到某个标志性的意象重新出现,才意识到作者巧妙地完成了空间或时间的跳跃。我特别注意到作者在引用和借鉴前人文献时所展现出的那种深厚的学养,但绝不是炫耀式的堆砌,而是将其内化为叙事的一部分,让历史的厚重感自然地渗透进来,而不是生硬地灌输知识点。这种技法让我想起那些经典的老派欧洲文学作品,它们在叙事上有一种共同的特质——即对读者智识水平的信任。它从不解释,总是假设你能够理解那些潜藏在典故和象征背后的含义。对我而言,每一次的阅读都像是在解开一个多层次的谜题,每一次重读都能发现新的连接点,这种复杂性是现代通俗读物所不具备的。
评分这本书的语言风格达到了令人惊叹的统一性和流畅性,尽管其内容跨越了不同的历史时期和心理层面。我感觉作者在遣词造句上有一种近乎音乐家的天赋,那些长短句的交错使用,创造出一种独特的听觉体验,即使是默读,也能感受到其内在的节奏感。它很少使用俚语或当代网络用语,而是沉浸在一种经过时间淘洗的、典雅的书面语境中,这极大地增强了作品的永恒感和仪式感。阅读过程中,我常常会因为某个形容词的精准运用而感到震撼,它如同精准的一击,瞬间描摹出了作者试图捕捉的那个转瞬即逝的意境。总的来说,这不是一本用来“消遣”的书,它更像是一次严肃的智力与情感的投入。它要求你付出,但回报也相应丰厚——它提供了一种沉思的框架,一种对抗日常喧嚣的庇护所。合上书页时,留下的不仅仅是对某个地点的记忆,更是一种对自身存在状态的重新审视。
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