Towards a Theory of Musical Reproduction 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Theodor W. Adorno 作者

Polity

Weiland Honban 譯者

2006-12-14 出版日期

304 頁數

USD 28.95 價格

Paperback

叢書系列

9780745631998 圖書編碼

Towards a Theory of Musical Reproduction 在線電子書圖書標籤: Adorno

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發表於2024-11-10

Towards a Theory of Musical Reproduction 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Towards a Theory of Musical Reproduction 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Towards a Theory of Musical Reproduction 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Towards a Theory of Musical Reproduction 在線電子書著者簡介

Towards a Theory of Musical Reproduction 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Towards a Theory of Musical Reproduction 在線電子書圖書描述

At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.

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