In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success. DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths--a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity. DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer.
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genius and upper class in vienna
评分作者早期的著作。如作者後來所述，從這本書開始，她告彆瞭阿多諾，走嚮瞭貝剋爾和彼得森，受到美國藝術社會學很大影響，探討的是貝多芬是如何被維也納貴族圈捧紅的。後來作者重新迴歸到阿多諾，並發展的新藝術社會學更值得重視和研究。
评分genius and upper class in vienna
评分作者早期的著作。如作者後來所述，從這本書開始，她告彆瞭阿多諾，走嚮瞭貝剋爾和彼得森，受到美國藝術社會學很大影響，探討的是貝多芬是如何被維也納貴族圈捧紅的。後來作者重新迴歸到阿多諾，並發展的新藝術社會學更值得重視和研究。
评分作者早期的著作。如作者後來所述，從這本書開始，她告彆瞭阿多諾，走嚮瞭貝剋爾和彼得森，受到美國藝術社會學很大影響，探討的是貝多芬是如何被維也納貴族圈捧紅的。後來作者重新迴歸到阿多諾，並發展的新藝術社會學更值得重視和研究。
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