Seven Dada Manifestos and Lampisteries 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Seven Dada Manifestos and Lampisteries

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Tristan Tzara 作者
Riverrun Press
Barbara Wright 譯者
1981-10-1 出版日期
118 頁數
USD 13.95 價格
Paperback
叢書系列
9780714537627 圖書編碼

Seven Dada Manifestos and Lampisteries 在線電子書 圖書標籤: 羅馬尼亞  異文  其他語言  暫時  政治   


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Seven Dada Manifestos and Lampisteries 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Seven Dada Manifestos and Lampisteries 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Seven Dada Manifestos and Lampisteries 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Seven Dada Manifestos and Lampisteries 在線電子書 著者簡介

Tristan Tzara (born Samuel or Samy Rosenstock, also known as S. Samyro; April 4 or April 16, 1896[1]–December 25, 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement.


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Seven Dada Manifestos and Lampisteries 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Seven Dada Manifestos and Lampisteries 在線電子書 圖書描述

Tristan Tzara--poet, literary iconoclast, and catalyst--was the founder of the Dada movement that began in Zurich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic--which often uses dadaist typography--as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's "Lampisteries," a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

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