The Tears of Things 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Tears of Things

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Peter Schwenger 作者
University of Minnesota Press
译者
2006-3-13 出版日期
224 页数
GBP 15.50 价格
Paperback
丛书系列
9780816646319 图书编码

The Tears of Things 在线电子书 图书标签: 文化研究  思想史  Literature  近期完成  理论  emotion_studies  critical_theory  VisualCulture   


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发表于2024-12-25


The Tears of Things 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Tears of Things 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Tears of Things 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Tears of Things 在线电子书 用户评价

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a mediocre imitation of Susan Stewart....

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导论有点意思,各个篇章的具体分析就偏弱了,章节连续性也不强。

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导论有点意思,各个篇章的具体分析就偏弱了,章节连续性也不强。

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导论有点意思,各个篇章的具体分析就偏弱了,章节连续性也不强。

评分

导论有点意思,各个篇章的具体分析就偏弱了,章节连续性也不强。

The Tears of Things 在线电子书 著者简介

Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.


The Tears of Things 在线电子书 图书目录


The Tears of Things 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Tears of Things 在线电子书 图书描述

We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects--such as one's own body--situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, "The Tears of Things" is itself a collection of exemplary art objects--literary and cultural attempts to control and possess things--including paintings by Georgia O'Keeffe and Rene Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell's boxes; Edward Gorey's graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over--debris and waste--and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of "Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word," and "Phallic Critiques: Masculinity and Twentieth-Century Literature."

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