The adventure of philosophy began in Greece, where it was gradually developed by the ancient thinkers as a special kind of knowledge by which to explain the totality of things. In fact, the Greek language has always used the word "onta," "beings," to refer to things. At the end of the sixth century BCE, Parmenides wrote a poem to affirm his fundamental thesis upon which all philosophical systems should be based: that there "are" beings. In "By Being, It Is," Nestor-Luis Cordero explores the richness of this Parmenidean thesis, which became the cornerstone of philosophy. Cordero's textual analysis of the poem's fragments reveals that Parmenides' intention was highly didactic. His poem applied, for the first time, an explicative method that deduced consequences from a true axiom: "by being, it is," To ignore this reality meant to be a victim of opinions. This volume explains how without this conceptual base, all later ontology would have been impossible. This book offers a clear and concise introduction to the Parmenidean doctrine and helps the reader appreciate the imperative value of Parmenides's claim that "by being, it is." "This thorough and controversial book will certainly be valued highly by the international community of scholars devoted to the study of ancient philosophy as well as by educated readers worldwide." --Alfonso Gomez-Lobo, Georgetown University ""By Being, It Is" offers a meticulous discussion of one of the most puzzling theses in the history of philosophy. It is a highly challenging piece of work from a philosophical viewpoint, an outstanding model of philological work, and a contribution that causes anyone interested in philosophical matters to reflect."--Marcelo D. Boeri, National Council for Scientific and Technological Research, Argentina "Parmenides' importance consists in the fact that he represents an absolute beginning in history, and particularly in the history of thought. We can understand why, for more than twenty years now, N.L. Cordero has devoted tremendous efforts to understanding the few verses that remain to us of this Poem. The result is the present book, characterized by its completeness and its rigor. It is an essential work on a seminal author." --Luc Brisson, National Council for Scientific Research, France NESTOR-LUIS CORDERO is Professor of Ancient Philosophy at the University of Rennes, France. He is the author of "Les deux chemins de Parmenide" (1997), and "Siendo, Se Es" the Spanish edition of "By Being, It Is"] (2005).
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这本厚重的精装本摆在我书架上,占据了相当可观的空间,光是翻开它的封面,我就感觉自己像是在开启一趟漫长的旅程。书页散发着一种独特的、略带陈旧的纸张气味,让人不禁联想到那些尘封在古籍图书馆深处的秘密。我花了整整一个下午才看完序言部分,那里的文字密度之高,信息量之密集,简直让人喘不过气来。作者似乎有一种将所有哲学思辨压缩进最精炼的词句中的能力,每一个逗号、每一个分号的停顿,都像是在设置一个需要反复咀嚼才能理解的陷阱。我不得不时常停下来,望着窗外发呆,试图将脑海中那些快速闪过的概念——本体论的困境、现象学的还原,以及某种我尚未完全把握的形而上学的暗示——重新组织起来。这本书绝对不是那种可以轻松消遣的读物,它要求读者全身心地投入,拿出研究生的严谨态度去对待每一个章节的论证。我甚至开始怀疑,作者本人是否真正将所有他所探讨的议题都完全消化了,还是说,他只是将人类历史上所有伟大的思想家们抛出的难题,用一种更加令人困惑的方式重新包装了一遍,等待着后来者去解密。
评分这本书在主题上的包容性令人叹为观止,但也正因如此,它显得异常松散和难以聚焦。作者似乎对任何深刻的问题都保持着一种审慎的、不置可否的态度。从量子力学的某些诠释,到古代神话中关于起源的叙事,再到后现代主义对主体性的消解,所有这些宏大议题都被编织进一个巨大的、网状的论述体系中。阅读过程中,我一直努力寻找一个明确的“主线”,一个贯穿始终的明确立场,但每当我以为我快要抓住它时,作者又会用一段看似不相关的历史轶事或一段晦涩的梦境记录来转移注意力。这让我想起那些试图用一种“万有理论”来解释宇宙万物的早期自然哲学家,他们拥有无与伦比的想象力,却缺乏现代科学所需的精确切割和验证方法。这本书更像是一份知识分子的“思想遗嘱”,充满了深刻的洞察,但也带着一种对最终答案的集体性逃避。
评分从阅读体验上来说,这本书简直是一场对读者耐心的极限测试。我试过在通勤的地铁上阅读,结果发现环境的嘈杂只会让我更加抓狂,因为任何微小的干扰都会导致我丢失掉刚刚建立起来的微妙语境。后来我转战到了一个完全安静的咖啡馆,那里只有咖啡机的嘶嘶声和偶尔的低语,这才稍微缓解了那种被文本吞噬的感觉。作者的语言风格极其正式,充满了拉丁词源的复杂构词,仿佛他刻意在构建一道语言上的屏障,以阻止那些“不合格”的读者轻易窥探到他思想的本质。我不得不承认,有几次,我只是被他华丽的辞藻和复杂的句式所震撼,却没能真正抓住他想要表达的核心论点。这是一种非常矛盾的阅读体验:你被这本书的智力挑战性所吸引,渴望证明自己有能力理解它,但同时,你又时刻感到自己像个局外人,站在一扇厚重的知识之门外,只能通过门缝里透出的光线,去猜测里面宏大的结构。
评分与许多当代哲学作品不同,这本书几乎完全没有使用任何现代流行的比喻或类比来阐释其观点,这让它的可接近性降到了冰点。没有关于互联网、人工智能或者流行文化的影子,作者似乎是故意将自己置于一个与时代脱节的真空地带进行思考。这带来了一种奇特的“永恒感”,仿佛这本书写于任何一个世纪都可以,但同时也意味着它与我们当下生活的实际关联变得极其模糊。我特别留意了关于“意义”的讨论部分,那里的论述极其精妙,但当我试图将它应用到我最近经历的一个具体困境时,却发现它提供的指导性几乎为零。这本书更像是一面高倍放大镜,让你看清楚事物最微小的结构和最深层的矛盾,但它并不会告诉你应该如何去生活,或者应该如何去行动。它留给读者的,只有更深层次的困惑,以及一种对知识本身边界的敬畏——或许,这本身就是作者想要达成的终极目的。
评分读完这本书的初稿后,我最大的感受是它在结构上的“反直觉性”。通常我们期待一本理论著作能有一个清晰的A到B再到C的逻辑递进,但此书完全打破了这种常规。它更像是一系列相互关联但又彼此独立的回声室,你似乎总是在同一个核心问题上绕圈子,只是每一次绕行,背景声场都会发生微妙的变化。有时候,我感觉自己正在阅读一篇晦涩难懂的诗歌,其中充满了象征意义和强烈的个人色彩,那些句子之间的跳跃是如此突兀,以至于我常常需要查阅附录中那个极其简略的术语表,才能勉强跟上作者那如同自由联想般的思维流向。更令人费解的是,作者对“时间”这一概念的处理方式极其反常。时间在书中仿佛不是线性的,而是某种可以被随意折叠、扭曲甚至完全忽略的背景噪音。我记得有一个章节,他用了上百页来描述一个“永恒的瞬间”,读完后,我合上书,看了看墙上的挂钟,却发现现实世界的时间一秒都没有过去,这种强烈的错位感让人既兴奋又疲惫,仿佛我的认知地图被彻底重绘了一遍,但新的地图上布满了危险的断崖。
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