Professing Performance 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Professing Performance

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Jackson, Shannon 作者
Cambridge Univ Pr
译者
2004-4 出版日期
268 页数
$ 45.19 价格
Pap
丛书系列
9780521656054 图书编码

Professing Performance 在线电子书 图书标签: PerformanceStudies   


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发表于2024-11-07


Professing Performance 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Professing Performance 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Professing Performance 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Professing Performance 在线电子书 用户评价

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A disciplinary genealogy. The performance analyses in the last chapter are dense and irrelevant to the overarching narrative of this book.

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A disciplinary genealogy. The performance analyses in the last chapter are dense and irrelevant to the overarching narrative of this book.

评分

A disciplinary genealogy. The performance analyses in the last chapter are dense and irrelevant to the overarching narrative of this book.

评分

A disciplinary genealogy. The performance analyses in the last chapter are dense and irrelevant to the overarching narrative of this book.

评分

A disciplinary genealogy. The performance analyses in the last chapter are dense and irrelevant to the overarching narrative of this book.

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Professing Performance 在线电子书 图书描述

Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context. This 2004 book considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. Throughout, she explores the institutional history of performance in the US academy in order to revise current debates around the role of the arts and humanities in higher education.

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