The Lyrical in Epic Time

The Lyrical in Epic Time pdf epub mobi txt 电子书 下载 2025

出版者:Columbia University Press
作者:David Der-wei Wang
出品人:
页数:528
译者:
出版时间:2015-2-13
价格:GBP 54.95
装帧:Hardcover
isbn号码:9780231170468
丛书系列:
图书标签:
  • 王德威
  • 海外中国研究
  • 文学研究
  • 文学
  • 文化研究
  • 现代文学
  • 历史
  • 中国
  • 诗歌
  • 史诗
  • 文学理论
  • 时间
  • 抒情性
  • 叙事
  • 现代主义
  • 文化研究
  • 比较文学
  • 形式主义
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具体描述

This book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions, along with Western influences. Although the lyrical may seem like an unusual form for representing China's social and political crises in the mid-twentieth century, David Der-wei Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. He calls attention to not only the vigor and variety of Chinese lyricism at an unlikely historical juncture but also the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Above all, his study ponders the relevance of such a lyrical calling of the past century to our time.

Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with a variety of media, including poetry, fiction, intellectual treatise, political manifesto, film, theater, painting, calligraphy, and music. Wang's expansive research also traces the invocation of the lyrical in the work of contemporary Western critics. From their contested theoretical and ideological stances, Martin Heidegger, Theodor Adorno, Cleanth Brooks, Paul de Man, and many others used lyricism to critique their perilous, epic time. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese -- and global -- modernity.

作者简介

David Der-wei Wang is Edward C. Henderson Professor of Chinese and Comparative Literature at Harvard University. His works include The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China; Fin-de-siècle Splendor: Repressed Modernity in Late Qing Fiction, 1849-1911; and Fictional Realism in Twentieth-Century China.

目录信息

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台静农的字真好看啊。费穆那章有点弱,应该随书附赠江文也的cd

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主要讨论lyricism作为一种文体、一种美学视角、一种生活方式乃至政治平台,是如何承载、折射、反思历史的。以此检讨中国现代性与现实主义文学之间的单一联系;同时强调中国现代抒情叙事(除受欧洲浪漫主影响外)对中国抒情传统的借鉴和再阐释。章节间联系略松散,但文本分析的方法值得借鉴

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江文也那章感人至深

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刚读完讲何其芳的那一章,虽然没有什么新意,但是实在是对王德威的exquisite precision of rhetoric and keen perception of human psychology 叹为观止。读来就像读诗,就像读心理小说。值得学习,值得玩味。对冯至了解不多,但是王的解读真心赞,并且把冯和何其芳并置,讨论如波涛一浪推怂一浪,直至最后的高潮。王这样的学识和技巧,不去写小说,不去写哲学著作真是可惜了

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只讀了文學的部分⋯這本比我印象中的王德威淺一點,難道是因為沒有中文裡華麗的修辭所以露出本相??不過他的英文真的漂亮極了,似乎從夏志清到李歐梵再到王德威,這幾個人都是外文系出身?三個人英文都是窮奢極侈的優雅

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