Some Rain Must Fall 在线电子书 图书标签: 小说 MichelFaber Biblioteca(SG's) 英国文学 外国文学 回去呀 anglais 英文版
发表于2024-06-25
Some Rain Must Fall 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
亦真亦幻,有种读卡波特的感觉。
评分some rain must fall.
评分亦真亦幻,有种读卡波特的感觉。
评分亦真亦幻,有种读卡波特的感觉。
评分too bad你出现在一个wrong time 还写得那么差
Michel Faber's work has been published in twenty countries and received several literary awards. He lives in Scotland.
Biography
Watch your step. Keep your wits about you; you will need them.
Thus Michel Faber lures readers into the Victorian saga of The Crimson Petal and the White, a novel that has earned Faber comparisons to Charles Dickens and delivered on the promise of his first, markedly different novel Under the Skin. Petal is an exhaustively researched chronicle of 1870s London as seen through the eyes of a young prostitute whose ambition carries her (and the reader) to higher levels in society. Faber's come-hither approach to writing the book jives with both his characters and his approach to reading. "I use the metaphor of a novel being like a prostitute, promising the reader a good time, promising intimacy and companionship," he says in a publisher's interview. "Ironically, even though you feel at first that you're being strung along by this beguiling voice, you do end up getting everything it promised you. And more, I hope."
Faber seduced readers with a predatory protagonist in the sci-fi-like Under the Skin. He brings his audience in league with Isserley, an otherworldly character who preys on human men in Scotland for their body parts, then sends the fruits of her labor back to her home territory. Faber's potency as a writer lies in his ability to lead the reader into a story with a number of matter-of-fact details, some sticking out more than others -- things don't get completely strange in Under the Skin until Isserley happens to flick a switch in her car and needles emerge from the passenger seat, sedating the hitchhiker she's picked up.
"The more the writer tries to force the reader to regard something as amazing and special, the more suspicious and bored the reader will become," Faber said in an interview with the Barcelona Review in 2002. "The reader needs to feel that the weirdness or the beauty or the horror in a story has an independent reality from what anyone says about it. That’s an illusion, of course: the writer is responsible. But the illusion is essential." Faber succeeds in crafting these illusions, whether they are the stuff of real life or fantasy. As the New York Times noted in its impressed and bemused review of Under the Skin, "His writing is chaste, dryly humorous and resolutely moral. The fantastic is so nicely played against the day-to-day that one feels the strangeness of both..."
It's evident from these two novels and from the short story collection Some Rain Must Fall, which mixes fantastic and humdrum settings, that Faber knows no bounds when it comes to genre or milieu. Like his protagonists, he can take his strengths into foreign territories, succeeding by coercion if necessary.
Michel Faber's short stories are markedly diverse-the voice of each is so distinct that the book reads like an anthology of different writers. But Faber's radically inventive style fastens all fifteen stories into a compelling collection deserving of the high praise it garnered in the United Kingdom. One surreal story, "Fish," projects a futuristic world populated with fish swimming in the air. As sharks hover in abandoned corners and human zealots of the Church of the Armageddon loose their fanaticism on the innocent, it's a mother's full-time job to protect her young daughter. The title story, ""Some Rain Must Fall, "" tells of a substitute schoolteacher called on in a crisis, and as she encourages her pupils to express their feelings, we learn the source of the class's trouble: a devastating act that resonates with contemporary America. As Garth Morris wrote in the Mail on Sunday (London), "these are well-crafted pieces of quiet forlorn intensity in a very real world."
短篇小说有一类属于神迹的彰显,如欧·亨利之流,弯转曲折崎岖沟回皆是微笑。但欧·亨利的笑总还有点冷笑的意味在里头,《雨必将落下》里的米歇尔·法柏则不一样,躲在书页后面的视线永远是温柔的,是细雨温润天地的温柔触感,是《五十万英镑与一个奇迹》的悄然碰撞。 《五十万...
评分短篇小说有一类属于神迹的彰显,如欧·亨利之流,弯转曲折崎岖沟回皆是微笑。但欧·亨利的笑总还有点冷笑的意味在里头,《雨必将落下》里的米歇尔·法柏则不一样,躲在书页后面的视线永远是温柔的,是细雨温润天地的温柔触感,是《五十万英镑与一个奇迹》的悄然碰撞。 《五十万...
评分#法柏的魅力,大概是奇特的视角、戏谑的幽默、丰富又妙趣横生的素材,还有耐人寻味的开放式结局。如此内敛,让你自己去猜情节和独自体味结局。 #作为大人的我们也许过于小看孩子的思想和自愈能力了,雨必将落下,一切也终将过去。习惯于用雨伞把自身和周遭包裹起来,却忘记了即...
评分每个生命中,有些雨必将落下,有些日子注定要阴暗惨淡。 旅行的路上带了法柏的《雨必将落下》,是本短篇小说集,本以为是三天的量,结果由于有些过于精彩,出去的路上差点看完,尤其是开篇的第一个小说《雨必将落下》。 小说中的女主是相当能掌控局面的人,安抚调整受到创伤的...
评分英国作家米歇尔·法柏的文风与其出生成长的背景一样多元,这位生于荷兰、长于澳洲、却在英国文坛大展拳脚的作家,以其短篇小说囊括多种奖项,而长篇《皮囊之下》焕发的才情也不遑多让。法柏擅长拿捏多变主题,以自己独有的敏锐触觉打造出具有影像感的画面空间,他的作品往往叙...
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