Thomas Girst has been Head of Cultural Engagement at the BMW Group since 2003. He was founding editor of Tout-Fait: The Marcel Duchamp Studies Online Journal and is the author of The Indefinite Duchamp. In 2012 he curated “Marcel Duchamp in Munich 1912” at the Lenbachhaus, Munich.

Luke Frost is an illustrator, printmaker, and graphic designer. He is part of Heretic, an experimental illustration and screen-printing studio founded in 2005.

Therese Vandling is an illustrator, printmaker, and graphic designer. Along with Luke Frost she is a member of of the experimental illustration and screen-printing studio, Heretic.

Marcel Duchamp (1887-1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist's life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp's work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp's life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girsts texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was the most intelligent mind of his time.