At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: 'I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson.' Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. From Black and White to Color includes some exceptional as-yet-unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston's work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work including ceilings, food, and scenes of waiting, as well as Eggleston's unconventional croppings-all definitive traits of the photographer who famously proclaimed, 'I am at war with the obvious.'
具体描述
读后感
评分
评分
评分
评分
用户评价
布列松基金会2014年9月同名展览配套目录。策展思路如展览名称那样。这本书被做成了笔记本的样式，黑白照片与彩色照片交替呈现，横照片与竖幅照片尺寸相等。仔细看你会发现，埃格尔斯顿拍摄黑白照片和彩色照片的方式是一致的，他的彩色照片中的色彩魅力，决定性因素还是来自于现实环境。
评分布列松基金会2014年9月同名展览配套目录。策展思路如展览名称那样。这本书被做成了笔记本的样式，黑白照片与彩色照片交替呈现，横照片与竖幅照片尺寸相等。仔细看你会发现，埃格尔斯顿拍摄黑白照片和彩色照片的方式是一致的，他的彩色照片中的色彩魅力，决定性因素还是来自于现实环境。
评分也许是排版的影响，片子可能拥有的力量，没显出来，且相比刚看过的两本日常，生动以及意趣，都不充足。
评分Attention to dressing. Experiment with color. No interaction but to see what the picture look like. One pic for one scene.
评分Attention to dressing. Experiment with color. No interaction but to see what the picture look like. One pic for one scene.
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有