Judith Flanders was born in London, England, in 1959. She moved to Montreal, Canada, when she was two, and spent her childhood there, apart from a year in Israel in 1972, where she signally failed to master Hebrew.

After university, Judith returned to London and began working as an editor for various publishing houses. After this 17-year misstep, she began to write and in 2001 her first book, A Circle of Sisters, the biography of four Victorian sisters, was published to great acclaim, and nominated for the Guardian First Book Award. In 2004, Inside the Victorian Home received widespread praise, and was shortlisted for the British Book Awards History Book of the Year. In 2006, Consuming Passions was published. Her book, The Invention of Murder, was shortlisted for the 2011 CWA Non-Fiction Dagger. Her most recent book The Victorian City: Everyday Life in Dickens' London was published in 2012.

Judith also contributes articles, features and reviews for a number of newspapers and magazines. Her home on he web can be found at http://www.judithflanders.co.uk/usa

The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it.

But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change.

In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history.

The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family.

As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.