Literature and the Law of Nations, 1580-1680 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Literature and the Law of Nations, 1580-1680

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Christopher N. Warren 作者
Oxford University Press
译者
2015-7-28 出版日期
304 页数
USD 99.00 价格
Hardcover
丛书系列
9780198719342 图书编码

Literature and the Law of Nations, 1580-1680 在线电子书 图书标签: 法律与文学  文学  法学   


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Literature and the Law of Nations, 1580-1680 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Literature and the Law of Nations, 1580-1680 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Literature and the Law of Nations, 1580-1680 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Literature and the Law of Nations, 1580-1680 在线电子书 著者简介

Christopher N. Warren is an Assistant Professor of English at Carnegie Mellon University in Pittsburgh, Pennsylvania, USA, where he teaches courses on law, literature, and the humanities. Warren's scholarship has appeared in English Literary Renaissance, The Seventeenth Century, and the European Journal of International Law. Prior to Carnegie Mellon, Warren trained at the University of Oxford before a receiving a Harper-Schmidt fellowship in the University of Chicago's Society of Fellows.


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Literature and the Law of Nations, 1580-1680 在线电子书 图书描述

Literature and the Law of Nations, 1580-1680 is a literary history of international law in the age of Shakespeare, Milton, Grotius, and Hobbes. Seeking to revise the ways scholars understand early modern English literature in relation to the history of international law, it argues that scholars of law and literature have tacitly accepted specious but politically consequential assumptions about whether international law is "real" law. Literature and the Law of Nations shows how major writers of the English Renaissance deployed genres like epic, tragedy, comedy, tragicomedy, and history to solidify the canonical subjects and objects of modern international law. By demonstrating how Renaissance literary genres informed modern categories like public international law, private international law, international legal personality, and human rights, the book over its seven chapters and conclusion helps early modern literary scholars think anew about the legal entailments of genre and scholars in law and literature long accustomed to treating all law with a single broad brush better confront the distinct complexities, fault lines, and variegated histories at the heart of international law.

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