Violence and Serenity 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Violence and Serenity

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Natasha Reichle 作者
University of Hawaii Press
譯者
2007-7 出版日期
289 頁數
USD 57.00 價格
Hardcover
叢書系列
9780824829247 圖書編碼

Violence and Serenity 在線電子書 圖書標籤: 宗教·藝術  佛教  =南海   


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Violence and Serenity 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Violence and Serenity 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Violence and Serenity 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Violence and Serenity 在線電子書 著者簡介

Natasha Reichle is associate curator of Southeast Asian art at the Asian Art Museum of San Francisco.


Violence and Serenity 在線電子書 著者簡介


Violence and Serenity 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Violence and Serenity 在線電子書 圖書描述

The mention of Buddhism in Indonesia calls to mind for many people the Central Javanese monument of Borobudur, one of the largest Buddhist monuments in the world and the subject of extensive scholarly scrutiny. The neglect of scholarship on Buddhist art from later periods might lead one to assume that after the tenth century Buddhism had been completely eclipsed by the predominantly Hindu Eastern Javanese dynasties. Yet, as the works discussed here illustrate, extraordinary Buddhist images were still being produced as late as the fourteenth century. Violence and Serenity offers a close examination of some of the impressive works from East Java and Sumatra and explores their political and religious roles. The number of clearly identifiable Buddhist works from the Singasari and Majapahit dynasties (1222-ca. 1520) is limited, yet existing examples are impressive. They demonstrate a remarkable level of craftsmanship and are exceptionally expressive, exhibiting a range of emotions from the ferocious to the serene. Following a brief discussion of the early history of Buddhism in Indonesia, Natasha Reichle focuses each chapter on a specific statue or group of statues and considers the larger issues evoked by the images. Through a rarely examined depiction of the last Singasari king, she explores the nature of religion in Java in the late thirteenth century and what we know about tantric practices and the syncretism of Hinduism and Buddhism. She reassesses the question of portraiture in ancient Javanese art while contemplating the famous Prajnand#x0101; pand#x0101; ramitand#x0101; from Singasari. Notions of kingship are discussed in light of a number of statues depicting the Buddhist deityAmoghapand#x0101; and#x015B; a and his attendants and the meanings of the Amoghapand#x0101; and#x015B; a mandala. The final chapter examines the origins and significance of one of Indonesia's most spectacular sculptures, a four-meter-high Buddhist bhairava (demon) discovered in West Sumatra.

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