In October 1900, a brilliant but largely unknown Japanese scholar arrived in London to commence two years of intense study. The scholar would later become the most celebrated Japanese writer of all time. Natsume Soseki and produce a dazzling collection of novels, memoirs, criticism and short stories that form the bedrock of modern Japanese literature. Against the backdrop of these images. Soseki develops profound reflections on universal themes. The river Thames is transformed into the river Styx the Tower of London becomes a gateway to the Underworld: mysterious boarding houses and the spirits of the dead are encountered through relies and memoir time itself is regained and explored This new translation provides the perfect introduction to the work of one of the world's greatest authors, accompanied for the first time with a comprehensive critical introduction, and a wry fictional account of a meeting between Soseki and Sherlock Holmes.
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读漱石的《伦敦塔》时联想起芥川的中国游记，同样表现基于距离的历史文化想象被“现代世界”摧毁，知识分子自比为历史的未亡人，抗拒工业时代对神秘的消解。而漱石的笔法本身有类James Joyce：Ulysses的意识流叙述, Finnegans Wake中历史、想象与现实的交错，和The Dead,consciousness, remembrance, 共同构成死者之城的神话。
评分读漱石的《伦敦塔》时联想起芥川的中国游记，同样表现基于距离的历史文化想象被“现代世界”摧毁，知识分子自比为历史的未亡人，抗拒工业时代对神秘的消解。而漱石的笔法本身有类James Joyce：Ulysses的意识流叙述, Finnegans Wake中历史、想象与现实的交错，和The Dead,consciousness, remembrance, 共同构成死者之城的神话。
评分读漱石的《伦敦塔》时联想起芥川的中国游记，同样表现基于距离的历史文化想象被“现代世界”摧毁，知识分子自比为历史的未亡人，抗拒工业时代对神秘的消解。而漱石的笔法本身有类James Joyce：Ulysses的意识流叙述, Finnegans Wake中历史、想象与现实的交错，和The Dead,consciousness, remembrance, 共同构成死者之城的神话。
评分读漱石的《伦敦塔》时联想起芥川的中国游记，同样表现基于距离的历史文化想象被“现代世界”摧毁，知识分子自比为历史的未亡人，抗拒工业时代对神秘的消解。而漱石的笔法本身有类James Joyce：Ulysses的意识流叙述, Finnegans Wake中历史、想象与现实的交错，和The Dead,consciousness, remembrance, 共同构成死者之城的神话。
评分读漱石的《伦敦塔》时联想起芥川的中国游记，同样表现基于距离的历史文化想象被“现代世界”摧毁，知识分子自比为历史的未亡人，抗拒工业时代对神秘的消解。而漱石的笔法本身有类James Joyce：Ulysses的意识流叙述, Finnegans Wake中历史、想象与现实的交错，和The Dead,consciousness, remembrance, 共同构成死者之城的神话。
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