Morningside Heights, the institutional heart of New York City, is also one of the city's most architecturally distinguished neighborhoods. The high plateau that forms Morningside Heights is geographically isolated within the city and remained largely undeveloped even as neighboring Harlem and the Upper West Side became prestigious residential communities. At the end of the nineteenth century, institutions relocated to the plateau where sizable plots were available at a convenient distance from the built-up city. In 1887 Episcopal Bishop Henry Potter announced plans for the construction of a great cathedral at the edge of the plateau. The cathedral was soon followed by Columbia College and St. Luke's Hospital, which contemplated grand complexes, and by newer institutions such as Barnard College and Teachers College that were intent on establishing a presence in the rapidly growing city. Thus, Morningside Heights became indelibly associated with New York's educational, medical, and religious foundations, and was appropriately dubbed "the Acropolis of New York." In this extensively illustrated book, Andrew S. Dolkart explores the architecturally varied complexes built by these organizations. He traces the successes and failures of each building project, as trustees and supporters struggled to raise funds in order to construct great campuses in a city where residents were not always generous in their support of such endeavors. Commissioning designs from some of city's and the nation's leading architects, the Morningside Heights institutions created a richly diverse ensemble of buildings. The book tells the stories of the excitement surrounding the initial plans for an Episcopal cathedral and the ultimate failure of this grandiose project; the efforts of John D. Rockefeller, Jr. to build a rival nondenominational church (Riverside Church); the development of Charles McKim's inspired designs for Columbia's campus; the efforts of Barnard and Teachers College to build impressive campuses adjacent to Columbia; and the later projects of Union and Jewish theological seminaries and the Institute of Musical Art (late the Julliard School) to erect buildings that would be part of the larger institutional concentration, but world provide each with a unique architectural identity. Dolkart also traces the history of the surrounding residential neighborhood, providing the first comprehensive analysis of the design and construction the early-twentieth-century speculative apartment houses that typify so many New York neighborhoods. Based on extensive research and incorporating more than 200 photographs, Morningside Heights will appeal to anyone interested in architecture, urban development, or the history of New York City, as well as those associated with the neighborhood or its institutions.
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这本书的整体氛围营造得非常成功,有一种令人着迷的、略带忧郁的怀旧感。它不煽情,却能深刻地触动人心最柔软的部分。作者似乎对“逝去的美好”有着一种独特的理解和敬畏,无论是对某个时代的回溯,还是一段情感的封存,都处理得既深情又克制。阅读时,我常常会产生一种“恍如隔世”的感觉,好像自己真的走进了那个被时间温柔对待过的场景里。这种氛围的形成,还得益于作者在叙事视角上的灵活切换,有时是冷静的旁观者,有时是沉浸其中的参与者,这种多重视角有效地丰富了作品的层次感。对于那些喜欢带有文学思辨色彩,同时又对情感表达要求很高的读者来说,这本书绝对值得一试。它不像那种一目了然的畅销书,它需要你投入时间去品味,但你投入的每一分钟都会得到丰厚的回报,最终留下的,是久久不能散去的美感和对生活更深一层的理解。
评分这本书真是让人眼前一亮,我很少读到像这样结构精巧、文字功力深厚的作品。作者对人物心理的刻画细腻入微,每一个角色的挣扎、渴望和最终的抉择都处理得恰到好处,让人感觉他们就像活生生站在面前一样。尤其是一些边缘人物的命运线,虽然不是故事的主旋律,但却为整个叙事增添了难以言喻的厚重感。阅读过程中,我好几次停下来,仅仅是为了回味某一段描述——那种精准捕捉到某种复杂情绪的文字,简直像大师级的摄影作品,瞬间定格了那些稍纵即逝的内心波动。这本书的节奏控制也堪称一绝,时而如涓涓细流般缓慢铺陈,积蓄着某种即将爆发的张力;时而又如同山洪暴发,将所有埋藏的冲突一股脑地推到读者面前。这种张弛有度的叙事手法,极大地提升了阅读的沉浸感,让你完全忘记了时间的流逝。我尤其欣赏作者在环境描写上的功力,那些场景不仅仅是故事发生的背景,它们本身就成为了叙事的一部分,带着强烈的象征意义,与人物的命运相互映照,形成了一种迷人的共振。
评分我必须承认,这本书的题材对我来说是全新的领域,起初有些担心会跟不上作者的思路,因为涉及到一些我不太了解的背景知识或专业领域。但令人称赞的是,作者的处理方式极为巧妙和体贴。他没有生硬地灌输信息,而是将必要的背景知识自然地编织进了人物的对话和内心独白中,使得读者能够在享受故事的同时,潜移默化地吸收新知。这是一种高超的叙事技巧,既满足了对知识的渴求,又完全保持了阅读的流畅性和愉悦感。更重要的是,尽管背景设定可能较为特定,但书中探讨的人性核心——关于忠诚、背叛、寻找归属感的主题——却是普适性的。它让我跳出了自己固有的思维定势,去理解另一种生存状态下的逻辑与情感,极大地拓宽了我的视野。这不仅仅是一部小说,更像是一扇通往不同世界的窗户,充满探索的乐趣。
评分老实说,我一开始拿到这本书的时候,对它抱持着一种审慎的态度,毕竟现在市场上充斥着太多言过其实的作品。然而,这本书迅速打破了我的偏见。它的魅力不在于宏大的情节转折或者惊天动地的事件,而在于它对“日常”的深度挖掘与哲学思辨。作者似乎拥有一种近乎残酷的诚实,去剖析现代人生活中那些细微的、却又决定性的瞬间。你会发现自己不断地在书中寻找熟悉的影子,那些关于时间、记忆与身份认同的探讨,触及了许多人心中最柔软也最困惑的部分。这种阅读体验不是轻松愉快的消遣,而更像是一场深度的自我对话,迫使你审视自己的生活轨迹和未曾言明的恐惧。我特别喜欢作者在处理信息留白上的技巧,他从不把话说得太满,而是留下足够的空间供读者自行填补和解读,这使得每个读者都能从中获得独一无二的感悟。这本书的后劲非常大,合上封面后,那种挥之不去的沉思感会持续很久,像某种淡淡的香气,萦绕不散。
评分这本书的语言风格简直是一场盛宴,充满了令人惊喜的词汇选择和句子构造。它有一种古典的韵律感,但又巧妙地融入了现代的语汇和节奏,形成了一种既熟悉又陌生的阅读体验。读起来,仿佛能感受到作者在每一个词语上都倾注了极大的心力,每一个形容词、每一个动词都不是随便安放的,而是经过了千锤百炼的选择。对于那些注重文本美感和文学性的读者来说,这本书无疑是值得反复品味的。我特别注意到作者对于感官细节的捕捉能力,比如光线穿过百叶窗投下的斑驳影子,或是某种特定气味勾起的遥远回忆,这些细节的描绘,让原本抽象的情感具象化,变得触手可及。虽然故事情节本身并不复杂,但正是这种对语言本身的极致打磨,赋予了故事一种超越时空的生命力。我甚至忍不住会大声朗读某些段落,去体会那些音韵之美,这在近期的阅读中是极为罕见的体验。
评分又是被学术大佬感动的一学期,我爱庵主。
评分又是被学术大佬感动的一学期,我爱庵主。
评分无论后来怎么搬家转学,我还是identify自己的街区(如果有一个的话)是Morningside Heights~
评分无论后来怎么搬家转学,我还是identify自己的街区(如果有一个的话)是Morningside Heights~
评分又是被学术大佬感动的一学期,我爱庵主。
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