This is the first textbook for architectural drawing with the computer that is based on understanding how digital drawing fundamentally differs from drawing with lead pencils on drafting boards. Cinemetrics: Architectural Drawing Today demonstrates a cinematically-inspired, cybernetically imaged, architectural drawing system for thinking about architecture as embedded in relationships within the world at large. It opens up the possibility of inventing new ways of building as framing flowing matter in order to live a philosophy of ?newness?. The authors, who have for fifteen years collaborated in teaching architectural students, link the architectural drawing text with research in the expanded field of architecture, which includes neurology, biology, ecology, physics, sustainability and philosophy. The book is written in an accessible and direct tone. Providing both an understanding of the visual perception behind drawing and practical exercises, it is set to become the key text book on the subject at both undergraduate and graduate level. It is highly illustrated with black and white diagrams and drawings.Praise for Cinemetrics Sulan Kolatan, Max Fisher Visiting Professor at University of Michigan and Partner in KOL/MAC LLC, and William Mac Donald, Professor and Chair of Graduate Architecture and Urban Design at School of Architecture, Pratt Institute, and Partner in KOL/MAC LLC: 'By progressively positioning their architectural research on "digital drawing" as contemporary cultural practice, Brian Mc Grath and Jean Gardner demonstrate not only a unique lateral intelligence but ? to paraphrase George Lang's declaration that tradition is a conspiracy often used to keep the future from happening-? ensure that the future is happening.now. This daringly analytical book precisely and effectively delineates heretofore hidden systems of emergent relations between ideology, methodology, representation, and production.? Joan Ockman, Director of the Temple Hoyne Buell Center for the Study of American Architecture, Graduate School of Architecture, Planning and Preservation, Columbia University: ?With this engaging, mind-expanding, and original guide to contemporary modalities of visualizing and representing architecture, the authors usher the not-yet-initiated into the digital design age.? Mark Robbins, Dean and Professor, Syracuse University School of Architecture ?Cinemetrics extends the parameters of representation by drawing on aspects of media, film and video. This book is an addition to the lineage of expanding the pictorial field - the Nude Descending a Staircase meeting the battleship Potempkin. The digital drawing methodology produces an explosive shattering of architectural space and reflects the understanding of multiple vantage points and the simultaneity of events in the manner of postmodern literature and filmmakers such as Godard. These drawings have the power to communicate as seductively as the moving image how architecture, space, inhabitation, perception and experience unfold over time. The book offers new ways to analyze space and more importantly new ways of generating it.? Professor Neil Spiller, Professor of Architecture and Digital Theory, Vice Dean, Bartlett School of Architecture, University College London: ?In a world of change, fluctuating points of view, duration and virtuality, it is vital for designers to reassess the representation of their work in new and non-orthogonal ways, This book addresses this most fundamental of design questions and explains various representational protocols for the designer at the cusp of the twenty-first century. A must have book.? Susan S Szenasy, Editor in Chief, Metropolis Magazine: ?A new generation of architects and designers has turned form the drafting table to computer drafting and design, seemingly seamlessly and without much turmoil. But, in reality, a whole new way of thinking about architecture has developed--the computer is changing way designers see the physical world. Cinemetrics: Architectural Drawing Today discusses the theory and practice of design in the digital age. Kim Tanzer, Association of Collegiate Schools of Architecture (ACSA) President 2007-08; Professor of Architect, University of Florida ?Five hundred years from now architects may look at Cinemetrics the way today?s architects look at Alberti?s On Painting--as a critical point of disciplinary redirection. In fact, if architecture is still being built 500 years from now it may well be a result of the cognitive shift McGrath and Gardner propose, asking us to ?lose perspective and find duration.? In the process of laying out a concrete set of design strategies, this book makes original connections between theory and ecology, science and art, technology and touch.? Karen Van Lengen Dean and Edward E Elson Professor of School of Architecture, University of Virginia: ?This is a serious and timely book that proposes new methods of representation for designers working in the digital age. The ?moving drawing system? celebrates the designer as a multidimensional thinker, a networked thinker, a flux conductor in search of new relationships and possibilities for cultural and environmental design. This book, with its stunning and sophisticated visual documentation, is destined to be an essential resource for the next generation of designers.? Michael Weinstock, Academic Head and Master of Technical Studies, Architectural Association School of Architecture: 'The presentation of a drawing system based on a cinematic understanding of the dynamics of architectural space is admirably clear, and the system has the potential to generate new spaces.?
评分
评分
评分
评分
这部作品的氛围营造实在令人叹为观止。作者似乎拥有一种魔力,能够将最平凡的场景瞬间染上一种难以言喻的、略带迷幻的色彩。阅读过程中,我感觉自己像是被拽入了一个流动的梦境,文字的肌理非常细腻,每一个词汇的选用都像是经过了精心的打磨,仿佛能触摸到它们的温度和重量。叙事节奏的把控更是高超,时而如同微风拂过湖面,轻柔而舒缓,让人沉浸在细腻的情感描摹中;时而又陡然加速,像是一场突如其来的暴雨,将读者卷入情节的高潮,喘不过气来。我尤其欣赏作者处理人物内心世界的方式,他们不是扁平的符号,而是充满矛盾和挣扎的复杂个体,他们的每一次犹豫、每一次选择,都牵动着我作为读者的心弦。整本书读下来,虽然故事的具体情节可能因人而异,但那种挥之不去的情绪张力,那种对人性深处的探究,却深深地烙在了我的脑海里,让人忍不住想要重读,去捕捉那些第一次匆匆略过的微妙之处。这本书带来的感官体验是极其丰富的,它不仅仅是文字的堆砌,更像是一场精心编排的视听盛宴,只不过载体是想象力。
评分从主题深度上来探讨,这本书展现了对现代社会异化现象的深刻洞察。它并非直接宣讲大道理,而是通过一系列寓言式的小事件,不动声色地揭示了技术进步、信息爆炸对个体存在感造成的微妙侵蚀。书中的角色往往处于一种“在场却又缺席”的状态,他们被环境推着走,却失去了对自身轨迹的掌控权,这种疏离感在当代人身上有着极高的共鸣。作者的笔触冷静而克制,没有过度的煽情,却在字里行间渗透出一种对“被遗忘”和“被替代”的隐忧。每一次对话都像是在试探着人与人之间那层脆弱的连接,而更多的,是确认彼此的孤独。它引发了我大量关于“真实性”的哲学思考:我们所感知到的现实,究竟有多大程度上是自主构建的?这种沉重但必要的反思,使得这本书的阅读体验超越了一般的消遣娱乐,更像是一次严肃的自我审视,让人在合上书本后,依然久久无法平复那种被唤醒的警觉。
评分这本书的结构设计简直是一场智力上的冒险。我通常对非线性叙事抱持谨慎态度,因为稍有不慎就会变得晦涩难懂,但这部作品却将复杂的结构玩弄于股掌之间,游刃有余。作者似乎非常清楚如何引导读者的注意力,通过不断地设置悬念和看似不相关的线索,构建起一张巨大的、需要读者主动去拼凑的网。这种阅读过程本身就充满了发现的乐趣——那种“啊哈,原来是这样!”的瞬间,是阅读体验中最为美妙的部分之一。它要求读者保持高度的专注力,不能有丝毫的懈怠,否则很容易在错综复杂的时空跳跃中迷失方向。但正是这种挑战性,使得最终解开谜团时的满足感倍增。我特别喜欢作者在不同篇章之间切换视角和时间线时的那种流畅感,尽管信息是碎片化的,但整体的逻辑链条却异常坚固。它考验的不仅仅是作者的布局能力,也考验读者的推理和联想能力,读完后,我感觉自己的思维也得到了极大的锻炼,仿佛完成了一场深刻的心智体操。
评分我必须承认,这部作品的语言风格极为独特,它仿佛是某种古老的方言与现代都市俚语的奇特混血。初读时,我需要花费额外的时间去适应这种跳跃和不羁的表达方式,但一旦进入状态,那种酣畅淋漓的感觉便无可替代。作者似乎对词汇的挖掘有着近乎偏执的追求,总能蹦出一些我从未在正式文学作品中见过的词组,它们新鲜、粗粝,却又精准无比地描绘出了场景的质感。这种不拘一格的写作方式,赋予了文本一种强烈的生命力和野性。它毫不避讳地展示了世界的粗糙和不完美,笔触既有浪漫主义的色彩,又不失现实主义的冷峻。这种鲜明的对比,让故事中的人物和环境都显得格外真实可信。我能想象到,如果用平铺直叙的方式来讲述这些故事,效果一定会大打折扣。这本书的价值,很大程度上就体现在其语言本身所创造出的那种独特的“场域”之中,它要求读者放下固有的阅读习惯,准备好迎接一场纯粹的、不加修饰的语言冲击。
评分这本书的想象力边界令人震惊,它成功地搭建了一个逻辑自洽却又完全超出现有框架的世界观。这种构建不是建立在已有的科幻或奇幻母题之上,而更像是从宇宙深处撷取了全新的法则。我尤其佩服作者在细节处理上的宏大与微观的平衡——宏大在于其世界设定的广阔和复杂性,微观则体现在对特定文化习俗或技术细节的严谨描述上。每一个新出现的概念,都被作者赋予了清晰的背景和运作机制,这极大地增强了故事的说服力。阅读时,我的大脑仿佛在高速运转,努力跟上那些不断扩展的设定,生怕错过任何一个关键的“齿轮”。这种沉浸式的体验,让人完全忘记了自己身处何地,完全接受了作者所设定的新现实。它展现了一种纯粹的、不被既有框架束缚的创造力,提供了一种前所未有的感官刺激,这种级别的世界构建,绝对是文学领域中少有的壮举,值得所有热爱深度想象的读者去探索一番。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有