Folk Art and Modern Culture in Republican China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Folk Art and Modern Culture in Republican China

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Felicity Lufkin 作者
Lexington Books
譯者
2016-1-21 出版日期
316 頁數
USD 95.00 價格
Hardcover
叢書系列
9781498526289 圖書編碼

Folk Art and Modern Culture in Republican China 在線電子書 圖書標籤: 盧飛麗  民俗  1  近現代史  視覺文化  藝術史  現代藝術  民俗學   


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Folk Art and Modern Culture in Republican China 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Folk Art and Modern Culture in Republican China 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Folk Art and Modern Culture in Republican China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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盧飛麗2001年提交的博士論文,由高居翰指導。從視覺藝術的角度研究研究藝術雜誌、印刷技術、圖片展覽與戰時宣傳中的民藝。

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盧飛麗2001年提交的博士論文,由高居翰指導。從視覺藝術的角度研究研究藝術雜誌、印刷技術、圖片展覽與戰時宣傳中的民藝。

評分

好題材!

評分

盧飛麗2001年提交的博士論文,由高居翰指導。從視覺藝術的角度研究研究藝術雜誌、印刷技術、圖片展覽與戰時宣傳中的民藝。

Folk Art and Modern Culture in Republican China 在線電子書 著者簡介

Felicity Lufkin is lecturer in folklore and mythology at Harvard University.

Research Interests: modern Chinese art; folk art, popular art, and crafts; art and gender, exhibitions.


Folk Art and Modern Culture in Republican China 在線電子書 著者簡介


Folk Art and Modern Culture in Republican China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Folk Art and Modern Culture in Republican China 在線電子書 圖書描述

Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation.In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.

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