"Elena Ferrante will blow you away."-Alice Sebold, author of The Lovely Bones From the author of The Days of Abandonment, The Lost Daughter is Elena Ferrante's most compelling and perceptive meditation on womanhood and motherhood yet. Leda, a middle-aged divorce, is alone for the first time in years when her daughters leave home to live with their father. Her initial, unexpected sense of liberty turns to ferocious introspection following a seemingly trivial occurrence. Ferrante's language is as finely tuned and intense as ever, and she treats her theme with a fierce, candid tenacity.
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I’m dead, but I’m fine.
评分4 'I'm dead, but I'm fine.' 海邊假期的偶遇,帶來一連串連鎖效應,母性的詛咒和枷鎖,自由和母愛的矛盾。喜歡首尾呼應的結構,玩偶這個符號在那不勒斯四部曲裡得以延續。(比起四部曲,Ferrante早期小說走的是意識流non-linear narrative,大量的心理描寫和閃回,類似藝術電影的蒙太奇。相比之下四部曲更側重劇情發展和人物塑造,對讀者而言也更容易投入,也因此暢銷全球)
评分I’m dead, but I’m fine.
评分什么时候我们能把母亲看成一个有血有肉有欲望有自我会疲惫的人,而不是一种完美无瑕的职能和工具?成为母亲的路上布满陷阱,阴影重重,行差踏错,便万劫不复。
评分今早上班的路上刚开始看了两三页,就被开头一段对于孩子离开家后(单身女主)生活的变化的描写给吸引住了。暂时卸下对家庭的责任,一个人住的时候随心所欲的那种轻盈感,即便是没孩子的我也非常认同。
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