Mansfield Park 在线电子书 图书标签: 英美文学 小说
发表于2024-08-21
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Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
评分Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!
奥斯丁,1775年12月16日生于斯蒂文顿乡一教区牧师家庭。受到较好的家庭教育,主要教材就是父亲的文学藏书。奥斯丁一家爱读流行小说,多半是庸俗的消遣品。她少女时期的习作就是对这类流行小说的滑稽模仿,这样就形成了她作品中嘲讽的基调。她的六部小说《理智与感伤》(1811)《傲慢与偏见》(1813)《曼斯斐尔德花园》(1814)《爱玛》(1815)以及作者逝世以后出版的《诺桑觉修道院》(1818)和《劝导》(1818),大半以乡镇上的中产阶级日常生活为题材,通过爱情婚姻等方面的矛盾冲突反映了18世纪末、19世纪初英国社会的风貌。作品中往往通过喜剧性的场面嘲讽人们的愚蠢、自私、势利和盲目自信等可鄙可笑的弱点。奥斯丁的小说出现在19世纪初叶,一扫风行一时的假浪漫主义潮流,继承和发展了英国18世纪优秀的现实主义传统,为19世纪现实主义小说的高潮做了准备,起到了承上启下的重要作用。
Through Fanny Price, the heroine of Mansfield Park, Jane Austen views the social mores of her day and contemplates human nature itself. A shy and sweet-tempered girl adopted by wealthy relations, Fanny is an outsider looking in on an unfamiliar, and often inhospitable, world. But Fanny eventually wins the affection of her benefactors, endearing herself to the Bertram family and the reader alike.
In her Introduction, Carol Shields writes, [Mansfield Park's] overriding theme is difficult to isolate, since the novel is about everything it touches upon: nurturing, steadfastness, belonging and not belonging, about fine gradations of moral persuasion, about human noise and silence, and about action and stillness.
I decided to close read/reread Jane Austen's novels, started from Pride and Prejudice and now finished Mansfield Park. Pride and Prejudice is more witty and funny (and more popular). But Mansfield Park gets its credit onmoral discipline, reflecting change i...
评分实话实说,这本书的阅读过程无趣的要命,早在把它列为“在读”状态时的短评中,我就不无诧异风格为何与《pride and prejudice》&《sense and sensibility》如此迥异?及至读完都说不出到底什么感觉,每个人物都是脸谱式的,本就套路化的英国乡村爱情就更加平平无奇,女主角Fann...
评分 评分首先要说的是这个版本的翻译很烂,几乎是强忍着读完全文。生硬的翻译体和平实的文字减少了阅读的乐趣,如果翻译得稍好一些,我想会给它四星。通过对译文的想像,相信奥斯丁小姐的文笔非常华丽,虽然我没什么直接阅读英文原著的经验。从今天开始我将抵制南海出版公司。 从爱情...
评分不论从哪方面来说,简·奥斯丁似乎都不是那种可以与“伟大”二字沾上边的人。这位仅活了四十二岁的牧师之女虽然自己终身未嫁,却在自己的小说中穷形尽相地勾勒了男女关系中种种微妙复杂的情愫和局面。《简·爱》的作者夏洛蒂·伯朗特曾批评奥斯丁的小说所反映的社会生活过于狭...
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