Mansfield Park

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出版者:Modern Library
作者:[None] 简·奥斯汀
出品人:
页数:448
译者:
出版时间:2001-10-9
价格:GBP 6.99
装帧:Paperback
isbn号码:9780375757815
丛书系列:
图书标签:
  • 英美文学
  • 小说
  • 古典文学
  • 英国文学
  • 简·奥斯汀
  • 19世纪文学
  • 社会评论
  • 爱情
  • 道德
  • 家庭
  • 成长
  • 讽刺
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具体描述

Through Fanny Price, the heroine of Mansfield Park, Jane Austen views the social mores of her day and contemplates human nature itself. A shy and sweet-tempered girl adopted by wealthy relations, Fanny is an outsider looking in on an unfamiliar, and often inhospitable, world. But Fanny eventually wins the affection of her benefactors, endearing herself to the Bertram family and the reader alike.

In her Introduction, Carol Shields writes, [Mansfield Park's] overriding theme is difficult to isolate, since the novel is about everything it touches upon: nurturing, steadfastness, belonging and not belonging, about fine gradations of moral persuasion, about human noise and silence, and about action and stillness.

作者简介

奥斯丁,1775年12月16日生于斯蒂文顿乡一教区牧师家庭。受到较好的家庭教育,主要教材就是父亲的文学藏书。奥斯丁一家爱读流行小说,多半是庸俗的消遣品。她少女时期的习作就是对这类流行小说的滑稽模仿,这样就形成了她作品中嘲讽的基调。她的六部小说《理智与感伤》(1811)《傲慢与偏见》(1813)《曼斯斐尔德花园》(1814)《爱玛》(1815)以及作者逝世以后出版的《诺桑觉修道院》(1818)和《劝导》(1818),大半以乡镇上的中产阶级日常生活为题材,通过爱情婚姻等方面的矛盾冲突反映了18世纪末、19世纪初英国社会的风貌。作品中往往通过喜剧性的场面嘲讽人们的愚蠢、自私、势利和盲目自信等可鄙可笑的弱点。奥斯丁的小说出现在19世纪初叶,一扫风行一时的假浪漫主义潮流,继承和发展了英国18世纪优秀的现实主义传统,为19世纪现实主义小说的高潮做了准备,起到了承上启下的重要作用。

目录信息

读后感

评分

看完这本书挺失望的,完全不能代表简奥斯丁的水准。主角范妮,不再是聪慧、独立、活泼的特性,而是变得羞涩、温柔、隐忍,是一个“灰姑娘”的角色。而本书名义上仍然以男女恋爱婚姻为素材,但实际上却直指家庭教育对年轻人成长的影响,对于他的两个女儿,托马斯爵士“本想让她...  

评分

《曼斯菲尔德庄园》(Mansfield Park)不是娇娇儿,无论问世之初,或者如今,往往冷落诟病多过哄抬热捧,随便翻翻Amazon网页,问津人员数完全不可比拟简.奥斯丁的《傲慢》、《理智》、《爱玛》诸篇。我原也不喜欢,女主角空前弱小,男主角摇摆不宁,情节嫌赘长。之前浏览拜亚特...  

评分

I decided to close read/reread Jane Austen's novels, started from Pride and Prejudice and now finished Mansfield Park. Pride and Prejudice is more witty and funny (and more popular). But Mansfield Park gets its credit onmoral discipline, reflecting change i...  

评分

评分

以前觉得精装书正统严肃厚重僵硬。而这本书的装帧舒服,内容怡人,居然由此喜欢精装书了。虽然连着读了几天才读完,但过足了捧着精装书的精致阅读的感觉,甚至觉得那几天的生活都被蕾丝化了。  

用户评价

评分

Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!

评分

Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!

评分

Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!

评分

Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!

评分

Too long - Austen's longest I think. To be moving so slowly in the first 45 chapters, then to resolve all the suspense in the last 3! I quite like the Crawfords. Though vain, selfish and flippant, they are shrewd observers capable of admiring moral goodness. Mary is the only funny one among the bunch! She and Edmund don't deserve each other!

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