Noise Uprising

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Michael Denning is the William R. Kenan, Jr., Professor of American Studies at Yale University, and the co-director of Yale’s Initiative on Labor and Culture. He is the author of Culture in the Age of Three Worlds; The Cultural Front: The Laboring of American Culture in the Twentieth Century; Mechanic Accents: Dime Novels and Working-Class Culture in America; and Cover Stories: Narrative and Ideology in the British Spy Thriller. He coordinates the Working Group on Globalization and Culture, whose collective work includes “Going into Debt,” published online in Social Text’s Periscope, and “Spaces and Times of Occupation,” published in Transforming Anthropology. In 2014, he received the Bode-Pearson lifetime achievement award from the American Studies Association.

出版者:Verso
作者:Michael Denning
出品人:
页数:320
译者:
出版时间:2015-5-1
价格:USD 24.95
装帧:Paperback
isbn号码:9781781688564
丛书系列:
图书标签:
  • 音乐 
  • 音乐史 
  • 美学 
  • 文化 
  • 历史 
  • sound 
  • denning 
  • colonial_ports 
  •  
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A radically new reading of the origins of recorded music

Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana’s son, Rio’s samba, New Orleans’ jazz, Buenos Aires’ tango, Seville’s flamenco, Cairo’s tarab, Johannesburg’s marabi, Jakarta’s kroncong, and Honolulu’s hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.

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讲殖民主义带来的世界音乐因子,在奥兰多等殖民港口,多文化的融合和大清洗中,诞生了美国蓝调音乐和爵士乐

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从the electrification of music来提供二十世纪初的反/殖民主义世界史。Verso出品,框架是Marxism也不难想象,然而作者claim说要在阿多诺、布洛赫和Attali的critical Marxist approach之外来一个alternative的解读,我看了那一部分好几遍也没有明白到底是怎么样的alternative.....

评分

从the electrification of music来提供二十世纪初的反/殖民主义世界史。Verso出品,框架是Marxism也不难想象,然而作者claim说要在阿多诺、布洛赫和Attali的critical Marxist approach之外来一个alternative的解读,我看了那一部分好几遍也没有明白到底是怎么样的alternative.....

评分

讲殖民主义带来的世界音乐因子,在奥兰多等殖民港口,多文化的融合和大清洗中,诞生了美国蓝调音乐和爵士乐

评分

讲殖民主义带来的世界音乐因子,在奥兰多等殖民港口,多文化的融合和大清洗中,诞生了美国蓝调音乐和爵士乐

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