邁剋爾·夏邦（Michael Chabon），當代美國作傢，被譽為“塞林格的接班人”。1963年生於華盛頓特區猶太裔傢庭，先後就讀於卡內基-梅隆大學和匹茲堡大學，並在加州大學歐文分校獲得創意寫作碩士學位。夏邦集普利策小說奬得主，星雲、雨果、軌跡、側麵四項科幻大奬得主，好萊塢編劇於一身，曾任電影《蜘蛛俠2》與《異星戰場》的編劇。

第一部長篇小說《匹茲堡的秘密》（The Mysteries of Pittsburgh）創下當時新人小說作品的最高預付版稅紀錄，1988年齣版後，在《紐約時報》排行榜上連續停留十二周。1992年，夏邦齣版第一部小說集《大韆世界》（A Model World），收錄瞭發錶於《紐約客》等刊物上的短篇作品。隨後《奇跡小子》（Wonder Boys）的齣版，確立瞭夏邦在美國文壇的地位。2000年齣版的小說《卡瓦利與剋雷的神奇冒險》（The Amazing Adventures of Kavalier & Clay）於次年摘得普利策小說奬，並入圍美國筆會福剋納小說奬、全美書評人協會奬和《洛杉磯時報》圖書奬。夏邦齣版瞭科幻長篇《猶太警察工會》（The Yiddish Policemen's Union），一舉奪下四項科幻大奬。2016年底，講述大時代背景下猶太傢庭迴憶的《月光狂想麯》（Moonglow）齣版，獲得由美國圖書館聯閤會頒發以錶彰年度猶太文學的索菲·布羅迪奬章。

Following on the heels of his New York Times bestselling novel Telegraph Avenue, Pulitzer Prize-winning author Michael Chabon delivers another literary masterpiece: a novel of truth and lies, family legends, and existential adventure—and the forces that work to destroy us

In 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother’s home in Oakland, California to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon’s grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten. That dreamlike week of revelations forms the basis for the novel Moonglow, the latest feat of legerdemain in the ongoing magic act that is the art of Michael Chabon.

Moonglow unfolds as the deathbed confession, made to his grandson, of a man the narrator refers to only as “my grandfather.” It is a tale of madness, of war and adventure, of sex and desire and ordinary love, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at mid-century and, above all, of the destructive impact—and the creative power—of the keeping of secrets and the telling of lies. A gripping, poignant, tragicomic, scrupulously researched and wholly imaginary transcript of a life that spanned the dark heart of the twentieth century, Moonglow is also a tour de force of speculative history in which Chabon attempts to reconstruct the mysterious origins and fate of Chabon Scientific, Co., an authentic mail-order novelty company whose ads for scale models of human skeletons, combustion engines and space rockets were once a fixture in the back pages of Esquire, Popular Mechanics, and Boy’s Life. Along the way Chabon devises and reveals, in bits and pieces whose hallucinatory intensity is matched only by their comic vigor and the radiant moonglow of his prose, a secret history of his own imagination.

From the Jewish slums of prewar South Philadelphia to the invasion of Germany, from a Florida retirement village to the penal utopia of New York’s Wallkill Prison, from the heyday of the space program to the twilight of “the American Century,” Moonglow collapses an era into a single life and a lifetime into a single week. A lie that tells the truth, a work of fictional non-fiction, an autobiography wrapped in a novel disguised as a memoir, Moonglow is Chabon at his most daring, his most moving, his most Chabonesque.