具体描述
本书是论析中国现代文学中有关韩国人和韩国作品的第一部专著。在“韩流”、“汉风”交相更迭、此起彼伏的今天，这一论题意味深长，别具意义。作者通过发掘整理中国现代有关韩国的小说、诗歌、散文、纪实文学、剧本以及翻译等各种体裁作品，提供了迄今为止该研究中最为丰富的资料，重新奠定了研究的文献基础，拓宽了研究的范围和视野。作者不仅探析了研究有关作品的重要意义，还对其文学史意义和思想文化价值作了初步考察。本书不仅能使人了解有关研究的实际情况，吸引更多研究者关注这一论题，更有助于于启发中韩两国学者对历史和现状的思考，推动该论题的研究在两国的深入展开，为现代中韩文学文化关系史、交流史和中韩关系史研究，提供新的启示。
作者简介
金宰旭，1969年生于韩国水原。毕业于韩国水原大学中文系。1998年至2005年就读于中国社会科学院研究生，先后获文学硕士、文学博士学位。2005年以来在韩国和中国的学术刊物上发表多篇学术论文。
目录信息
第一辑 历史进程：挥之不去的篇章
引言···········································································································3
第一章 文献：一项不可逾越的基础工作
——中国现代文学中有关韩国著译的文献建设····················································10
一、有关文献的发掘和披露简况······································································11
二、努力建设尽可能完整系统的文献基础··························································17
第二章 让沉睡的文学历史现象重见天光（上）
——中国现代文学中有关韩国著译的历史进程····················································22
一、历史进程之一：发端与高涨（1917～1937）················································24
（一）发端（1917.1～1931.9）······································································24
（二）高涨（1931.10~1937.6）······································································38
第三张 让沉睡的文学历史现象重见天光（下）
——中国现代文学中有关韩国著译的历史进程····················································55
二、历史进程之二：从兴盛到尾声（1937～1949）·············································55
（三）兴盛（1937.7~1945.8）·······································································55
（四）尾声（1945.9~1949.9）·······································································81
（五）简短的结语························································································86
[附]部分著译者简介······················································································90
创作著者································································································90
译作原作者····························································································100
第四章 深挚的情感交流 丰富的历史叙事·························································105
一、中国现代文学中有关韩国人和韩国作品的主要特点·······································105
（一）同声相应的真淳情愫········································································105
（二）同仇敌忾的历史叙事········································································113
（三）多姿多彩的人物画廊········································································120
二、中国现代文学中有关韩国人和韩国作品的意义及价值····································133
（一）对于中国现代文学的意义··································································135
（二）历史的思想文化价值········································································138
结语··········································································································141
第二辑 文献编目：众里寻他千百度
中国现代有关韩国人和韩国的文学创作、译作编目··············································145
说明··········································································································145
一、创作目录······························································································145
（一）小说······························································································145
（二）诗歌······························································································159
（三）散文······························································································165
随笔、杂感、游记··············································································165
序跋、创作谈····················································································172
通讯、纪实、报告文学········································································176
（四）剧本······························································································181
[附录]1911～1916年的新剧··································································183
二、译作目录······························································································184
（一）小说·····························································································184
（二）童话、传说、故事···········································································186
（三）诗歌·····························································································189
（四）散文·····························································································191
[附]中国现代有关韩国人和韩国的文学创作、译作目录索引···································192
说明····································································································192
一、创作·······························································································192
二、译作·······························································································205
第三辑 资料索引：博观约取师前人
中韩研究文献目录索引（1927～2011） ···························································213
说明·····································································································213 一、中国部分······························································································213
（一）专书专著 ······················································································213
（二）论文·····························································································213
（三）学位论文·······················································································224
二、韩国部分······························································································224
（一）专书专著·······················································································224
（二）论文·····························································································225
（三） 学位论文······················································································229
后记··········································································································230
· · · · · · (收起)
读后感
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用户评价
从头到尾，《值得珍视和铭记的一页》都给我带来了一种独特的情感体验。我时常会在阅读中停下来，陷入沉思。作者的文字，有一种魔力，能够轻易触动人心最柔软的部分。那些关于成长、关于失去、关于爱与被爱的描绘，都如此真挚，仿佛就发生在我身边。我看到了自己过去的影子，也看到了未来的可能性。我喜欢书中人物之间的羁绊，那种深厚的情感，无论是在顺境还是逆境中，都给予彼此力量。这种温暖，在冰冷的世界里显得尤为珍贵。我也喜欢作者对时间流逝的描绘，那种淡淡的忧伤，却又带着一丝对过往的怀念。它让我意识到，生命中的许多“一页”一旦翻过，便不再重来。所以，我们更应该学会去珍惜，去铭记。读完这本书，我感到一种莫名的释然，仿佛卸下了心中的重担，又仿佛重新找回了某种失去的东西。这本书，值得反复阅读，每次阅读，或许都能从中发现新的“值得珍视和铭记的一页”。
评分不得不说，作者在《值得珍视和铭记的一页》的叙事技巧上，展现出了非凡的功力。故事的推进并非一蹴而就，而是层层递进，如同抽丝剥茧般，将真相一点点地展现在读者面前。这种欲扬先抑的手法，让我在阅读的过程中始终保持着高度的兴趣和专注。有时，一个看似无关紧要的配角，却在故事的某个关键时刻发挥着至关重要的作用；有时，一句不经意的对话，却蕴含着深刻的寓意。作者巧妙地将这些散落的线索串联起来，最终织成一张宏大而精密的网。我惊叹于作者对细节的把握，无论是环境的描写，还是人物的心理活动，都显得无比真实和生动。我仿佛看到那个年代的街景，听到那个时代的喧嚣，感受到那个时代人们的情感。这种沉浸式的阅读体验，让我对作者的才华刮目相看。我一直在猜测，这个“一页”究竟会以怎样的方式在故事的高潮处被揭开，又会给整个故事带来怎样的转折。
评分这本书的书名就足以勾起我的好奇心——《值得珍视和铭记的一页》。当我拿到它的时候，我脑海中立刻浮现出无数种可能性：是关于一段刻骨铭心的爱情？一段艰难却终获成功的奋斗史？抑或是某个平凡日子里，一次触动心灵的顿悟？带着这份期待，我迫不及待地翻开了第一页。开篇的文字并没有直接切入某个宏大的叙事，而是以一种娓娓道来的方式，细腻地描绘了一个场景，让我瞬间沉浸其中。作者的笔触如同画师的调色板，将光影、色彩、甚至空气中的味道都勾勒得栩栩如生。我仿佛能感受到微风拂过脸颊的轻柔，听到远处传来的细微声响，甚至闻到空气中淡淡的花香。这种身临其境的描写，让我在阅读的最初几分钟就深深地被吸引住了。我开始猜测，这“一页”究竟会是怎样的一页？它承载了怎样的重量，又会给我带来怎样的感动？作者似乎深谙制造悬念的艺术，在文字的缝隙中，埋下了无数个引人遐想的伏笔。我迫不及待地想知道，故事将如何展开，这个“值得珍视”的“一页”背后，又隐藏着怎样的情感波澜。
评分这本《值得珍视和铭记的一页》带给我的，不仅仅是文字的阅读体验，更像是一场心灵的洗礼。在阅读的过程中，我常常会因为书中描写的某个细节而停下脚步，反复咀嚼，细细品味。有些句子，读起来平淡无奇，但细细一想，却蕴含着深刻的人生哲理。它们像一颗颗闪亮的珍珠，散落在书页之间，等待着有心人去发现。我尤其欣赏作者在处理人物情感时的细腻与真实。那些喜悦、悲伤、失落、希望，都被描绘得淋漓尽致，仿佛作者亲身经历了这一切，并将这份情感毫无保留地传递给了读者。在阅读到某个高潮部分时，我甚至能感受到自己的心跳在加速，呼吸变得急促。我为书中人物的命运而牵挂，为他们的坚持而感动，也为他们的选择而思考。这是一种与书中世界深度共鸣的体验，让我暂时忘记了现实生活中的烦恼，沉浸在作者构建的那个独特而迷人的精神空间里。我开始反思自己的生活，那些被我忽略的，或者早已遗忘的“珍贵一页”，是否也值得我重新去拾起，去铭记？
评分《值得珍视和铭记的一页》不仅仅是一本故事书，更像是一本关于人生的教科书。它让我重新审视了生命的意义，以及那些真正值得我们去追求和守护的东西。书中描写的某些经历，虽然充满了挑战和艰辛，但最终都传递出一种积极向上的力量。它告诉我们，即使在最黑暗的时刻，也总有一线希望存在。这种力量，如同黑夜中的星光，虽不耀眼，却足以指引方向。我被书中人物面对困境时的勇气和决心所深深打动，他们的坚持和不屈，让我看到了生命的韧性。同时，作者也并没有回避生活中的残酷和不公，而是以一种坦诚的态度去面对。这种真实，让整本书显得更加可信，也更加引人深思。我合上书页的时候，内心久久不能平静。这本书给我带来的，不仅仅是阅读的乐趣，更是一种精神上的启迪。它让我明白了，生活中的“一页”并非一定要惊天动地，它可以是平凡中的闪光，可以是内心深处的感动，可以是某个瞬间的顿悟。
评分这本书就是中规中矩的文学史的写法，作者集中于1919-1949间的中国文学中出现的韩国和韩国人进行分析，简述了那些作品，分析了形象，总结了意义。不过很好的一点是，作者作为外国人竟然有将翻译文学看作中国文学的一部分的想法，真是难能可贵。如果要研究这一块的话，这本书可以当作入门书籍来看。当然这本书也有不足，不足已经在序中出现了。还有如果这本书是从比较文学的形象学的角度来写的话，应该更有看头。
评分3分都是给最后的文献编目的。没有功劳总有苦劳。论文本身就那么着吧，反正材料更重要嘛
评分3分都是给最后的文献编目的。没有功劳总有苦劳。论文本身就那么着吧，反正材料更重要嘛
评分这本书就是中规中矩的文学史的写法，作者集中于1919-1949间的中国文学中出现的韩国和韩国人进行分析，简述了那些作品，分析了形象，总结了意义。不过很好的一点是，作者作为外国人竟然有将翻译文学看作中国文学的一部分的想法，真是难能可贵。如果要研究这一块的话，这本书可以当作入门书籍来看。当然这本书也有不足，不足已经在序中出现了。还有如果这本书是从比较文学的形象学的角度来写的话，应该更有看头。
评分3分都是给最后的文献编目的。没有功劳总有苦劳。论文本身就那么着吧，反正材料更重要嘛
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